Rose-Owls and Pumpkin Girls

This question has been coming up a lot recently, so I thought I'd take a moment to address it in a central place that people could be pointed to. Specifically:

"Why can't I buy your music on iTunes/Band Camp/Amazon MP3/whatever?"

Sometimes the question takes the form of "I have gone all-digital, why do I have to buy a physical CD?", but those are basically the same thing, since "Why can't I buy..." is the flip side of "Why do I have to buy...". And here is my answer:

I will never, barring the closure of all the CD manufacturing companies, be selling my music digitally. If you want to own my music, you will need to either buy and rip a physical CD, or pirate it. I would obviously prefer the former, but since some of my CDs are out of print, I'll understand if you go for the latter.

Why?

Two big reasons. These are...

It's a hobby.

I am not a professional musician. Even if I sell every single copy of every single CD at full "retail price," never selling through filk dealers or sites like CD Baby, I won't turn a profit. Breaking even is the most that I can hope for. Because all CDs are nothing but red ink, they don't further complicate my already incredibly complicated taxes. If I started doing digital sales, which many people view as "money for nothing," I might pass that magical line where I make a profit, and then I would have to figure out how to deal with things.

I don't take enough of a loss for my music to be a tax write-off (yet), but I also don't make any money, and that keeps things simple. If I started needing to religiously track receipts and who paid what where to who, I don't know that the carrot would remain worth the stick for me.

The digital divide exists.

I feel as strongly about physical CDs as I do about physical books. The ability to release things digitally is amazing for people who can't afford a print run, or are doing something incredibly focused, or just want to get themselves out there. I can afford a print run; I have an audience; I am as out there as I need to be. And people like my mother, who doesn't own an MP3 player, and who listens to all music via her CD player, still exist.

Because of the costs of production, I can only afford to produce physical CDs when I'm sure that I'll be able to sell them. If 50% of my audience went to digital downloads, I'd wind up with a lot of unsold CDs, and again, would not be able to justify producing more. And for me, that would be the end of it. I'm not going to pay for recording and mixing and mastering and not have something in my hands when I'm done. I can't afford to produce CDs in units of less than 1,000—and with full "to get this, you must buy physical" buy-in, it still took four years for Stars Fall Home to sell out.

Cover songs.

None of my cover song licenses include digital rights. All my albums would be missing pieces if I put them up for digital download.

And so...

I know that this can create bottlenecks. I know that physical disks come with shipping costs, and that sometimes vendors run out. I know that I'm losing business. These are choices that I made, for the reasons listed above, and while they may be wrong choices, they are mine, and I'm sticking with them.

Thank you.

I'm trying not to be the all-Hugos, all-the-time channel right now (believe me, it's hard), but there is something I really wanted to talk about, and that's my nomination in the Best Related Works category. Wicked Girls, the CD I released in January 2011, has been nominated for the brass ring. This is the first time a single-artist filk CD has been nominated for the Hugo Awards...except for where it's not a single-artist CD. My name may be the only thing on the cover, but it's not the only name that was involved with the project. And that's what makes this so amazing. Because Wicked Girls is the thing I did with some of the people I love best in all this world, and I think that it shows. I really do.

This is the album where half the songs were written specifically so Vixy could sing them with me, or specifically for Amy's fiddle breaks. This is the album where my "I love you more than fairy tales" songs for my friends all got recorded, "Wicked Girls" and "Mother of the Crows" and "The True Story Here" and so many others. It was an amazing experience, recording this. And I credit that entirely to the people who recorded it with me.

Vixy, who sings with me on almost every track. Amy, whose screaming electric fiddle is the first primary instrumentation on the album. Kristoph, who tolerantly listened to me trying to explain what I wanted, and then gave me a hundred times more. Mary, and Betsy, and Sooj, who took the time to come to the studio and make things amazing. They put the heartbeat into the songs. Paul, who I loved first and best as a guitarist. Tony, who makes magic with strings. Margaret, who harps like it's going to be banned tomorrow. And others, and others, and others, forever.

Tara designed the cover; Beckett designed the liner notes. Mia made the pendants that inspired almost half the songs. Deborah listened, and loved, and helped in a thousand ways, as did Kate, and Cat, and all the members of my scattered family.

After more than thirty years, the filk community has representation on the Hugo ballot, and it's for an album that contains members of Southern filk, Midwest filk, Pacific Northwest filk, and California filk. And that is amazing. I am amazed.

I think I'm going to be amazed for a while.

So I am considering—not yet wedded to, but considering—re-releasing Stars Fall Home, since it's currently all out of print and stuff, and that's no fun. But being me, I'm not willing to do this if I don't feel that I am in some way improving things with a re-release. This means a) that I will probably re-record "Sycamore Tree," to resolve some issues I have with the vocals, and b) include at least one new song, for the sake of, you know, making my lizard brain not freak out about spending time on something I've already done.

This is the link to my songbook. Yes, this link, right here.

If I were to record one song that had not previously been recorded, what would you want it to be? Defend your choice! With two caveats:

* No parodies.
* Nothing mad science or horror. That will eventually be a second theme album.

Tell me what to do!

The pre-order period for my third studio album, Wicked Girls, will officially be closing at the end of this week, as we are basically ready to go to the printer—I just need to get the final liner note files and contact my project manager at Oasis, and we're in business. For details on the album, please check out my albums page, where you can find the track list, lyrics, some details on our featured performers, and the truly kick-ass cover art.

To place your order, go to:

https://seananmcguire.com/secure_order.php

Pre-orders follow this price scale:

* $18.00 USD: First domestic pre-order.
* $16.00 USD: Second domestic pre-order.

* $20.00 USD: International pre-order.
* $16.00 USD: Second international pre-order.

This is because of the way the mailing costs work. A third CD would cost the same as a first; this assumes that the CDs are being shipped together. So two CDs to the same US address would be $34.00, but two CDs to two different US addresses would be $18.00 each. Hope that's not too confusing.

(Basically, all pre-orders are a base cost of $15.00, plus shipping. Please be aware that if you order two CDs at the same time, they will be sent to the same address.)

Since we also need to pay mixing costs, we're taking album sponsors; you can submit sponsorships through the order form. 285 pre-orders have been sold out of a possible 300, meaning that 15 pre-orders remain. All pre-ordered CDs will be signed and numbered. Because it is so late in the year, only pre-ordered CDs will have a chance of arriving before the holidays. I can't make any promises, but I'm going to try to do the majority of the mailing in time for Christmas. I will not be getting stock to filk dealers or CD Baby until after the first of the year.

Questions? Comments? Glee!

As I write this, it's a little after nine o'clock at night. For me, on a weeknight/work night, that's very late indeed. The cats are sitting next to the chair, watching me with annoyed expressions that rather clearly telegraph "C'mon, Mom, get in the bed already." They're going to have to wait a few minutes more, while the air conditioning gets things down to a tolerable temperature in here. I mean, really. If I tried to sleep right now, all I'd do is liquefy myself.

I'm starting to put together my set list for Gafilk in January. It's going to require my usual motley crew of awesome backing musicians to learn some new pieces, as well as requiring me to extensively bribe the less-usual motley crew, so I want to solidify my desires, sit down with Paul, do some chording, and present a unified concept to the team. I think it's going to be really amazing, when it's all done.

Speaking of really amazing things, I went to Kristoph's this afternoon, and did the very very last little bits of my vocal part for Wicked Girls. Specifically, I recorded a counting rhyme for "Mother of the Crows," recorded the end spoken bits for "Tanglewood Tree," and recorded some giggles for "Jack's Place." And then I re-recorded the intro to "Counting Crows," because we had some click track bleed-through, and really, who needs to put up with that shit? I was there, we were already working, we did it, and now we are done. There are some instrumental bits yet to go, and a few vocals from other people, but on the whole, it's finished. Pre-orders are literally only waiting on finished cover art, and we may go ahead and open them without it.

I've been working on the edits and revisions to the final version of Late Eclipses (Toby four). The book is literally improving by the page. It's still a long way from done, but I'm chugging through at a more than respectable rate—which is good, since while I'm working on it, I'm not working on The Brightest Fell or Blackout. Balancing things is hard. I'm pretty good at it, but still. It's hard.

I have had a lovely glass of port (I am out of port again), and done my word count for tonight. Now is the time when I go to bed, and think sweet thoughts of finishing Late Eclipses and my short fiction assignments, thus freeing that slot for working on Midnight Blue-Light Special. I miss you, Verity!

Goodnight, world.

1. Only four hours remain to enter my random drawing for an ARC of An Artificial Night! It's probably the simplest contest I'm going to have, so what have you got to lose, right? Besides, they're pretty. I like pretty things. I am a simple soul.

2. Speaking of pretty things, remember that the ALH pendant sale will be starting today at Chimera Fancies. I cannot possibly overstate how much I love Mia's pendants. If I were a wealthy woman, I'd just pay her to sit around and make them all day, and keep the bulk of her output for myself. Again, simple soul. Also, occasional magpie.

3. Leverage comes back this weekend! So You Think You Can Dance is back on the air! Cartoon Network has Unnatural History and Total Drama World Tour! Oh, I love you, summertime television. I love you so much, forever.

4. Tomorrow is my last pre-Westercon rehearsal with the fabulous Paul Kwinn, renowned in song and story, master of the meaningful look while wearing a gaudily-patterned shirt, husband of Beckett, whom I love beyond all reason. I'm very excited, despite the fact that I'm still occasionally coughing like I'm on the verge of actual death. It's gonna be awesome.

5. I have my editorial notes for Late Eclipses, and I'm busily incorporating them into the finished manuscript...while, possibly, fixing a few little language issues at the same time. It's been long enough since I touched this book that it appears to have been written by an alien, which is the best time for doing editorial. It's still my baby. It's just my weird alien baby, and that makes it more fun to autopsy.

6. Zombies are still love.

7. It's June already. That means we're getting closer and closer every day to my departure for Australia, LAND OF POISON AND FLAME, which I have only been dreaming about for most of my life. I'm so excited it's scary, and not just because I'm on the ballot for the Campbell (although that remains a constant GOTO loop at the back of my brain). I get to go to Australia! I get to breathe Australian air! My life is awesome sometimes.

8. We've entered the final stages of recording Wicked Girls, and it should, I hope, I pray, be able to make the October release date that I so optimistically set for myself. I'll be announcing the pre-orders soon, since that's how I finance mixing and mastering, and I'm really, really happy with this album, as a whole. It's just...it's what I wanted. And that's incredible.

9. I think the cats are stealing my will to leave the house. I just want to sleep.

10. I need more ARC contests! Suggest something. Be silly, be serious, request that I do your favorite all over again, whatever. I need ideas, and so I turn to you, the glorious Internet, to give them to me.

It's Friday!

So I'm existing on a diet of Diet Dr Pepper, canned peas, and plain-baked chicken breasts with way too many mushrooms, and I'm waking up earlier every morning (new record: 5:02 AM). I thus figure it's time to give the general status updates, before I'm too fried to think straight.

Books. I have three coming out in 2010: A Local Habitation [Amazon]|[Mysterious Galaxy] and An Artificial Night as me, and Feed [Amazon]|[Mysterious Galaxy] as Mira Grant. I have one currently due in 2010, Deadline (the sequel to Feed).

In addition to the books that are already sold/slated for publication, I have one finished October Daye book, Late Eclipses, and one finished InCryptid book, Discount Armageddon. I am currently working on The Brightest Fell (Toby five), Midnight Blue-Light Special (InCryptid two), and Sit, Stay, I Hate You (Coyote Girls two). In 2010, I'm planning to finish all three of these, start on Blackout (Newsflesh three), start on Ashes of Honor (Toby six), and start on Hunting Grounds (InCryptid three). I am not planning on a particularly large quantity of sleep.

There's currently a contest running to win an ARC of A Local Habitation. Drop by and give it a shot!

Short Stories. I'm one of the 2010 universe authors for The Edge of Propinquity, which is running my Sparrow Hill Road series for the rest of the year. The second story, "Dead Man's Party," went live earlier this week, and I'm working on the fifth story, "El Viento Del Diablo," which should be finished in a week or so. After that comes "Last Dance With Mary Jane," which will answer a lot of questions people have been asking for a very long time. This is a series heavily influenced by the mythology of the American highway, and with a very strong soundtrack accompanying every story. There will be playlists! Much fun.

I have various other short stories out on secret missions, including two Fighting Pumpkins adventures ("Dying With Her Cheer Pants On" and "Gimme a 'Z'!"), my first-ever steampunk piece ("Alchemy and Alcohol," which comes complete with cocktail recipes), and an actual Mira Grant short story ("Everglades"). I'm noticing a high level of dead stuff in my recent short story output. Somehow, this is not striking me as terribly surprising.

Non-fiction. My essay in Chicks Dig Time Lords [Amazon]|[Mysterious Galaxy] will be available later this month, along with, y'know, the rest of the book, which includes an essay from my beloved Tara O'Shea. So if you've ever wondered why I love math and have trouble with linear time, you should probably pick up a copy of this book. (You should do that anyway, because the book is awesome, but that's beside the point.)

My introduction for jennifer_brozek's In A Gilded Light will also be available with the rest of the book, sometime in mid-2010. I plan to finish the "On Writing" series by the end of 2010.

Albums. Work on Wicked Girls is proceeding apace, and beginning to pick up speed as we get deeper into the process of mixing and arranging songs. I'm scheduling my various instrumentalists to come into the studio and get their parts recorded, and some of the arrangements are just going to be incredible. I still need to confirm the covers for this album, and start thinking about graphic design, but I'm still really, really pleased. There's no confirmed release date yet, and there's not going to be one until we're a lot closer to done: as I've said a few times, as soon as there's a deadline, this ceases to be fun and relaxing, and right now, we're too far from finished for that to be a good idea.

I'm within a hundred copies of being entirely out of Stars Fall Home (my first studio album), and right now, I couldn't tell you if or when there's going to be another printing. I'm doing a little better for Pretty Little Dead Girl, but at the current rate, I'd estimate that I'll be out (or very close to out) by this time next year. Red Roses and Dead Things, being my most recent release, is also the one with the most remaining stock (paradoxically, it's also my fastest seller, since a lot of folks don't have it yet). In summary, if you're missing any of my first three albums, you may want to consider whether you're going to want them, because when they're gone, they're gone.

Cats. Alice continues to steal mass from the very center of the sun, growing at a rate usually seen only in big green dudes who have been exposed to Gamma radiation. She's pissed at Cat Valente, who keeps showing pictures of a very enticing kitten, and then not sending the kitten through the screen. Lilly, meanwhile, has taken to jangling her bell right next to my ear in the middle of the night to express her displeasure with the state of the food supply. Lilly wants to be mittens.

And that's the local weather report. Back to you, Ken.

Last week, before I left for Conflikt, I stopped in at Flying Colors to pick up my comics for the week. Mmmmm, delicious comic-y goodness. I had a copy of Red Roses and Dead Things in my purse, so I pulled it out to show around, with the accompanying squeals of "My new album came!"

Andy -- one of the counter monkeys -- asked, "Is this for us?"

Being a sensible girl who loves her comic book store, I promptly replied with "Sure!" I left the album, picked up my comics, and went on my merry way home, hence to head for the airport, fly to Seattle, and basically forget the entire thing.

Wednesday, I went to the comic book store again, since, well, Wednesday is new comic day, and I'm basically a fixture. Joe (the owner) told me how much he'd enjoyed my CD, and how pleasantly surprised* he was to discover that it was awesome. I thanked him, and went back to seeking comics...only to have Brian stop me to do the same thing, and Andy, and Jasmine, and basically, the entire staff of Flying Colors. (Andy described it as 'totally cornball and campy, but in the good way.' High praise for a girl who grew up worshipping at the shrines of Marilyn Munster and Elvira, Mistress of the Dark.)

And then Joe asked if I might want him to carry a few for me on consignment.

My comic book store -- the comic book store I've been going to almost my entire life, the comic book store I wish I could put in my pocket and just take with me to Seattle -- is going to carry my CD. In my comic book store. My CD. Later, possibly, my books (Joe's considering it).

I am a real girl.

(*Let's face it -- nothing's more awkward than having someone you like and respect hand you something they've made, and then finding out that the whatever it was sucks rocks. What are you supposed to say to them? 'Gosh, your CD sure was shiny?' 'Gee, there were a lot of words in that book?' It's an awesome surprise when awesome people make awesome things. I'm using the word 'awesome' a lot today. Maybe I should stop watching so many back-to-back episodes of Chuck.)

10. I appear to have started doing art cards. (Because, as Brooke said, I need something to do with all that spare time that I had just lying around.) For those of you who are unfamiliar with the art card 'concept,' they're little pieces of original artwork, done on 2.5"x3.5" cards. Mine are Micron and Prismacolor on bristol paper. I've done three so far, one to go with Grants Pass, one to go with Ravens in the Library, and one of Velveteen and Sparkle Bright during their first year with the JSP. I figure I'll use them as book giveaways. Right now, they're just being colorful and soothing; two things that I need more of in my life.

9. My reboot on Late Eclipses of the Sun appears to have done exactly what I was hoping it would do; the new first chapter is about ten times stronger, faster, better, and generally bionic in all possible regards. Now I'm working on the revisions to chapter two, just to really lock down the changes to the continuity, and once that's done, I can start processing my editor's notes on An Artificial Night. I'm spending so much time with Toby these days that we should really start charging her rent, I swear.

8. I write more poetry than is strictly healthy, sometimes in batches of two to five hundred poems at a time. (These batches are called 'Iron Poet' rounds, and are a variation on a standard writer's workshop exercise. They make me happy. I may be crazy.) I managed to write five poems yesterday, including a counted devan (although I skipped the internal rhymes on the zipper, because I didn't feel like giving myself a migraine) and a counted technical terza rima. Take that, everyone who said there was no use for structured poetry in the modern world!

7. My story in Ravens In the Library is getting an accompanying illustration. This is...this is amazing. Not just because the illustration itself is amazing -- I saw the sketch, and it is -- but because I didn't expect an illustration at all. It made me cry. More and more, I begin to believe that 2009 is the universe giving me one big incredible birthday present.

6. It's not entirely visible to the naked eye, but my website continues to creep closer and closer to being entirely done. We should be getting the first few essays up there soon, and Chris is working on the functionality that will allow me to update and edit the front page all on my lonesome. Meanwhile, Tara works secretly behind the scenes on Wonderful Surprises that only a golden graphics girl could possibly provide. Prepare to be amazed.

5. I get to spend the weekend working on Discount Armageddon! (Quoth Dan: "I don't know anybody who gets as excited about being told what to work on as you do.") I love deadlines, I love directions, and I love Verity. She's so happy to see you. And so happy to kick you in the head. Pleasantly, I just put together my Verity playlist last night, consisting almost entirely of dance music and things with a BPM of over 120. Because Verity just looooooves the beat, yo.

4. It's new comic book day! Always the most wonderful day of the week. At least in theory -- other days are sometimes surprisingly awesome.

3. All my television is coming back on the air. I'm a huge TV freak. It's what lets me decompress after a hard day of working and writing and worrying about working and writing; it's also what I do with the other half of my concentration when I'm inking. (Most of the shows I watch are more verbal than visual, and have clear cues when I actually need to be paying attention to the screen.) I really appreciate the fact that the things I watch are staggered enough to make sure I almost always have something new.

2. This time next week, I will be heading for the airport, heading for the sky, and heading for Seattle, baby.

...and the number one good thing about today...

1. Oasis just called me, and THE CDS ARE DONE!!!!! They're mailing them out from the Oasis warehouse today, and they should supposedly hit my doorstep on Friday. This gives me time to actually arrange for CDs to reach Seattle, prep the first batch of pre-orders to mail out (probably the first twenty or so, more if I can possibly swing it), and generally get my hysteria out of the way. It also gives me time to use the CD boxes to build myself a little fort and crawl inside it to hide from the universe.

What's new and awesome in the world of you?

Well, what happened around here in 2008? Let's see...

1) I signed with the eternally delightful dianafox, who has shown a remarkable capacity for taking the things I say (some of which make very little sense, filtered as they are through my sunshine-and-zombies Pollyanna worldview) and doing something functionally useful with them. Everybody needs a personal superhero.

2) I started this journal. Because everybody needs their sunshine-and-zombies updates as regularly as possible. No, seriously. How can you know what's happening in their magical playland if somebody isn't making a point of telling you on a regular basis?

3) I arranged to have my website fully revamped, thanks to the design talents of taraoshea and the technical can-do of porpentine. Now it's glorious, it's gorgeous, and it's changing pretty much daily as we hammer the text into place and start getting the various sections hammered into their desired configurations. Which matters because...

4) I sold the first three Toby Daye books to DAW! Yes! Rosemary and Rue, A Local Habitation, and An Artificial Night have all been sold, after so many years in my head that it's really not even all that funny. Soon, the world will understand why I love these people so much. I hope.

5) I finished writing or revising six books in 2008. The three mentioned above, along with Late Eclipses of the Sun (Toby, book four), Newsflesh (The Masons, book one), and Lycanthropy and Other Personal Issues (Coyote Girls, book one). So that's, y'know. Pretty productive of me.

6) I started work on three more books -- The Mourning Edition (sequel to Newsflesh), The Brightest Fell (Toby, book five), and Discount Armageddon (InCryptid, book one).

7) I recorded an album. Scaaaaaary. You can still place pre-orders for Red Roses and Dead Things at my website. I promise that it will be awesome. And filled with corpses.

So it's been a huge, exciting, amazing year, and next year is just going to be a bigger, more exciting, more amazing year. Thanks for being here, and I really can't wait to see what happens next.