seanan_mcguire: (knives)
Sometimes I look back at my own teenage years, tangled and tempestuous as they were, and wonder if I knew how lucky I was, musically speaking. The Counting Crows still played at the U.C. Berkeley on-campus club; Heather Alexander was both local and frequently touring; Celtic rock was having a resurgence, with Avalon Rising and Four Shillings Short playing somewhere almost every weekend.

And there was Annwn.

They were weirdos. They were wonderful. They were everything I wanted to be when I grew up. The idea of making Elton or Leigh Anne proud of me was enough to motivate me to do almost anything. I got to have a relationship with them, to know them as humans and artists and creators and people who let their freak flags fly proudly and without fear. I am the adult I am because they were there to be an example for the confused child I was.

Leigh Anne died in 2006. I still miss her. I will always miss her. Annwn died with her. Even if the band had wanted to continue, there was no replacing Leigh Anne. She was absolutely one of a kind.

For a long time, their music has been unavailable. Now, that's changing, and one of their best albums, Come Away to the Hills has been made available for purchase, as has the one album she recorded with Daoine Sidhe, Now and Then, which you can access here.

If you love Celtic rock and folk music, please give a listen.

This is one of the voices that made me.
seanan_mcguire: (average)
Hello, glorious people!

It is time to tell you of a wondrous thing.

My dearest, most beloved Dr. Mary Crowell, who you have heard on my CDs Wicked Girls and Creature Feature, if not on her own, absolutely transcendent material, is running a Kickstarter right now to fund the production of her new album of amazing, mythological music. Mary is one of the kindest, most utterly generous musicians I know, and her work is well worth your time. Please take a look at her plan, and if you'd like to hear more, well, you know what to do.

But.

For Mary's birthday this year, I wrote her a short story, because sometimes I am less lazy than I am broke, and my friends need things that make them happy. Titled "Scattering Seeds on the Pomegranate Tour," the story is simultaneously our first Rookery piece and our second Rookery piece: an earlier story was written for the PaulandStorminomicon, which has yet to be released, and this story comes before it, chronologically speaking. This is my Secret Urban Fantasy Setting (tm), because the stories about it always seem to be destined for dark and hidden places.

Not this time.

If you back the Kickstarter at any the tiers which include a USB drive, you'll get a copy of the story, along with all of Mary's albums in digital form and all her recordings from the last year of her Patreon. Quoth Mary: "Tiers that include the UBD drive: $70 Digital Plus, $145 The Harold Tier, $350 Almost the Full Tour, $450 The Full Tour, and $1,000 Pas de Deux."

Furthermore, and quoting Mary again: "Only the three highest tiers ($350 Almost the Full Tour, $450 The Full Tour, and $1,000 Pas de Deux) include a chapbook of your story, 'Scattering Seeds on the Pomegranate Tour.' By chapbook, I mean small hard bound book, because Wesley. (These are limited. He will make no more than 29 of these total. You-Seanan and I-Mary each get one, leaving only 27 to be acquired by pledging to this Kickstarter.)" Wesley, Mary's husband, is a craftsman and a scholar, and the pictures she's shared so far of the books in progress are positively gorgeous (you can see pictures as a part of this update). Basically, after I have been eaten by genetically modified banana slugs, this chapbook will be an incredible collector's item.

Kickstarter!
seanan_mcguire: (average)
...and the winner of a copy of Elbows and Antlers, by Avalon Rising, is [livejournal.com profile] mckavian!

[livejournal.com profile] mckavian, please email me via my website contact form within the next twenty-four hours with your mailing information.

Thanks for entering, everyone, and I hope that if you didn't win, you'll consider picking up some awesome music by Avalon Rising anyway!
seanan_mcguire: (pony)
As I get ready to return to the studio and get back to work on Saint of Thorns (probably coming out some time in 2016; the album for 2015 is Creature Feature, and we're laying out the liner notes now), it occurs to me that some of you may not know how awesome and incredible my recording engineer, Kristoph Klover, actually is.

Let's fix that.

I have one copy of Elbows and Antlers, the latest CD by the band Avalon Rising, of which Kristoph is a founding member. Celtic funk, folk rock, call it what you will, it's amazing. And I am giving this disk away to one lucky winner.

To enter...

1. Comment here.
2. If outside the US, indicate that you will pay postage.
3. That's all.

I will choose a winner via RNG on Monday, January 26th. If you're interested in checking out Avalon Rising before then, here's their website: http://www.flowinglass.com/

I highly, highly recommend all three available Avalon Rising albums, especially if you like my stuff, Vixy and Tony's stuff, or Talis's stuff.
seanan_mcguire: (pony)
Filk Continental happens in Germany. It happens in a castle. It is one of the only filk cons I have never attended, because it is very far away, and up until recently, I have had very limited vacation time.

It's still far away. But this year, I'm going...and I'm going as their Special Guest! Yes! After a year off, Filk Continental is gloriously returning, with Vixy & Tony as their Guests of Honor, and me as their Special Guest. A German appearance! A fantastic party! A glorious time!

October 3rd through 5th: the website and details are here: http://www.filkcontinental.de/fc/home/index.php.

I'm so excited!
seanan_mcguire: (pony)
I believe we've discussed this before, but: in the filk community, there is a man by the name of Bob Kanefsky. He is also a verb. To "be Kanef'd" is to have one of your songs gripped in the white-hot maw of his evil genius, chewed up, and spat out as something entirely different. If he and Weird Al Yankovic got into gonzo parody battle (probably in an abandoned warehouse somewhere, with lots of exposed beams and weirdly good lighting), Kanef would win with subtlety and horrifyingly accurate internal rhyme.

To be Kanef'd is a rite of passage in the filk community. It is the announcement that yes, you have made it as a songwriter; yes, you have created something good enough to be worth tinkering with.

The first time I was Kanef'd, I like to've died. Literally—I couldn't breathe. And as with most creative people, he's only improved since then. At the Circus on Saturday night, he launched a new parody at me, using Vixy and Tony as his delivery mechanism.

"I get paid to write a fairy tale:
Tinkerbell’s detective daughter,
Fourteen years of unread mail,
Like a fish out of the water..."


Oh, yeah. He went there.

"Deadline: About the Author" is set to the tune of "My Story Is Not Done," and contains spoilers for/references to the Newsflesh trilogy, the Toby Daye books, and Discount Armageddon. And it is hysterical.

Bob Kanefsky, I salute you.

I shall have my revenge.
seanan_mcguire: (knives)
...into a fog where no one notices the contrast of white on white.

According to my iPod, I currently have three hundred and eighty-four Counting Crows songs in my pocket. About eighty of these are different versions of the song "Rain King," mixed and mashed and mingled with a dozen other songs, recorded in an unknown number of cities. I have the coveted live concert with the Disney orchestra backing them up, and several different versions of the song "August and Everything After," which has never been officially recorded. In short, I am a nut.

The first time I saw the Counting Crows live, I was in high school, and they were still playing the UC Berkeley campus club on a regular basis. I was smuggled into the bar by a friend. It was love at first sight. Unlike many young loves, this one has never wavered, never faltered, never faded. They are my favorite band. They have been my favorite band since I was fourteen.

Tonight, I am flying to Seattle. Tomorrow, Ryan and I are driving four hours to a winery in the middle of Washington state. And I am going to see the Counting Crows live for the first time in more than two years.

I am excited, I am exhausted, and I am relieved. Seeing the Counting Crows perform is restorative for me, the way that rereading IT or watching Slither is restorative. Only moreso, because I can't control when a concert happens the way I can control putting on a DVD or opening a book.

I will not get any work done tomorrow. Normally, that would stress me out and worry me, but not this time, because I'm getting something a lot more valuable.

I'm getting peace.

I hope you'll have a wonderful weekend, wherever you are and whatever you choose to be doing. I'm going to be on my own private archipelago, and there's nowhere else I'd rather be. Nowhere else in the world.
seanan_mcguire: (feed)
It's fan art awesomeness time! [livejournal.com profile] shadow71689 has designed some incredible Newsflesh banner art, using my casting choices for Shaun and Georgia as her models. Seriously, this is some high-quality photo manipulation, and I am in awe.

Not only that, but she's cooked up a truly awesome soundtrack for Shaun; I've bought all the songs off iTunes, and I'm rocking to it RIGHT NOW. Check out her work, it's mad cool!

I am a happy blonde.
seanan_mcguire: (princess)
Having been asked several times recently, I thought I'd give a quick CD FAQ. The short form: yes, I have recorded and released two CDs, and am currently in the middle of recording a third. My first two CDs remain currently available, although supplies are falling fast. When they're gone, they're gone; I'm not planning to re-release either of them any time soon.

The first CD, Pretty Little Dead Girl: Seanan McGuire and Friends Live at OVFF 2005, was recorded live at, yes, OVFF 2005. Eleven tracks of totally live performance goodness, including the explosion of cheers from the audience when I started taking off my clothes (during 'Maybe It's Crazy,' track five on the album). Several of the songs on this CD exist only on this CD, and probably won't ever be recorded elsewhere.

The second CD, Stars Fall Home, was recorded primarily by Kristoph Klover at Flowinglass Music, with additional tracks recorded everywhere from England to Seattle, Washington. This album features performances by some of my very favorite people, and an incredible amount of raw musical talent. It's a great big sampler box of a CD, with songs ranging from the very, very serious, to the very, very silly. I love it so.

You can listen to samples from both CDs at: http://seananmcguire.com/albums.php

You can order either or both at: https://www.seananmcguire.com/secure_order.php

Both CDs are $17.00 (USD) -- that includes shipping and handling. (That cost is per CD, just to clarify.) International orders are available for an additional $5.00, to cover additional shipping costs.

If you have questions about any of my albums, including the one that's yet to be released, please let me know!
seanan_mcguire: (princess)
As many of you may or may not be aware, I am a fairly prolific songwriter. And when I say 'prolific', I really mean 'I have released two albums, I'm recording a third right now, and if I had the money, I would be heading straight back into the studio for number four, just to try to get some of my backlog down on CD.'

It's been determined that there's just about nothing I'll refuse to write a song about. I'm not much for bathroom humor or things of that sort, but I've written songs ranging from the sweet and wistful to the cheerfully macabre, and the ratio stays pretty consistent at fifty/fifty 'really pretty'/'totally crazy.'

Last year, after reading a fabulous book called The Return of the Black Death: the World's Greatest Serial Killer, I wrote a song titled, naturally enough, 'The Black Death.' (The lyrics are linked so that you can understand the horror.) Several CDC installations have printouts of this song tacked to their walls, and at least one teacher has decided to use it as part of his lesson plans. I Have Arrived.

Quoth the teacher in question:

"I gave the students lyric sheets and had them listen and list 'reasons why epidemiologists think that the Black Death was NOT Bubonic Plague.' Some of the kids, when I asked the same question on the test, even quoted back song lyrics!"

I WIN AT EVERYTHING.
seanan_mcguire: (rosemary)
So I'm back from BayCon! And to celebrate, I've managed to come down with the most boring case of con-crud ever experienced. Seriously, I feel like hell, I haven't got the energy to pry the cat out of my dresser drawer (which is really for the best, since when she's shedding on my clean tank tops, she's not interfering with my attempts to process edits), and although I really need to go to the post office, I'd really rather sit here and hope someone will put me out of my misery.

But the con was awesome.

I've been a regular on the 'Sex Lies and Publishing' panel for years, discussing what it takes to get published and what people are willing to do if it seems likely to get them published. Last year, when I was BayCon's Toastmistress, I turned to the moderator and asked if a book contract came in my gift basket. And this year, I got to be on the panel from the other side of things! Very surreal, and very cool.

I got the chance to chat with several other authors working with DAW, including two who share my editor. So that was simply fabulous, both from a business standpoint and from the 'oh, wow, this still isn't a dream' side of things. So much fun!

My concert went fabulously, as always, thanks to the hard work of my many, many musical co-conspirators. I'll doubtless talk about this more later, but for right now, big thanks to Paul Kwinn, Tony Fabris, Michelle Dockrey, Maya Bohnhoff, Beckett Gladney, Kristoph Klover, and Jeff Bohnhoff (who wasn't in the show, but helped a lot with some of the arrangements). It's been pointed out to me again that no matter how in love I am with new material, I should really include some of the stuff on my CDs in my live shows. My protests that people can buy the songs on the CDs continue to fall on deaf ears. Si-igh.

It was a great weekend, my lovely viral infestation notwithstanding. Welcome to all the new folks who have swung by here in the past week, and while I'd promise to ramble less when not sick, I'd be lying.
seanan_mcguire: (princess)
BayCon 2008 is just around the corner! Are you wondering where I'm going to be? Well, wonder no more, because I've got what can only be termed 'the inside scoop'. Which is really a good thing, since otherwise, I'd be wandering merrily into a major convention with no living clue what I was supposed to be doing.

Saturday at 11:30 AM, you can catch me on the Sex, Lies and Publishing panel. I'm not one hundred percent certain what we're going to be talking about, although I expect it to include a) sex, b) lies, and c) publishing. I just sold a trilogy, I've had sex, and I once told my mother that the frog was put in our bathtub by magical angels from the moon, so hey, I've got something to say about all three elements of the panel! Failing that, there's always zombies. Show up to show your support on my first real 'post selling those Toby books to DAW' panel as a genuine to-be-published genre author.

Also Saturday, at 1:00 PM, I'll be appearing on the Iron Poet I panel, with Kevin Andrew Murphy (and other people, but that's who I can say for sure is always there). I won't be writing poetry, but will, instead, be discussing it, and helping other people write it. For the win! It's a really fun, interactive panel event, and the poetry that our participants write on Saturday will be presented and judged on Sunday at 2:30 PM, when we reconvene for Iron Poet II. This panel has a low chance of zombies, but a high chance of recitations of 'The Tragedy of Lillian Kane, Princess of Neptune'.

Saturday at 4:00 PM it's time for the annual excitement of Evolution of Dr. Who, where we all get together to talk about what everybody's favorite Time Lord has been doing with himself. Past debates have included 'true love or puppy love?', 'Romana or the Rani?', and -- my personal favorite -- 'is Paul McGann canon or not?' (since answered absolutely by 'Family of Blood'). Since we're in the middle of a series, we're about to go into Tennant's year off, and we've just changed executive producers, there's going to be a lot to talk about. And, if all else fails, there's always insulting the special effects to get a good brawl going. Be there!

Of course, for a lot of folks, it's all about the music. That's why you should join me Sunday at 10:00 PM for my BayCon 2009 concert! With Paul Kwinn and Tony Fabris trading off guitar duty, Michelle Dockrey and Maya Bohnhoff on backing vocals, and Beckett Gladney on harmonica, this is promising to be one of the most awesome concerts to date. I'm not willing to post the full set list, but I will tell you that you could hear some of the songs from the upcoming album, as well as at least one pendant-prompt song, one Firefly song, and several songs made of so much pure awesome that they make my heart hurt. Join us! You won't be sorry.

Eric Gerds will have copies of both Pretty Little Dead Girl and Stars Fall Home available throughout the weekend; they will also be available directly from me, if he runs out or the dealer's room is closed. Remember, they make great gifts! Thirteen, by Vixy and Tony, will also be available either from Eric or direct from the source; the album is fabulously well-worth it (and I don't just say that because I got to perform on the title track).

See you this weekend!

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