seanan_mcguire: (knives)
I added two more fixed dates to my rough-and-ready 2011 calendar* this morning. In the process, I forced myself to acknowledge that 2011 is closer than not at this point; in just a few short months, I'm going to blink, and it's going to be a whole new decade. What the hell, chronology? I was just getting used to 2010! Years are like shoes: as soon as you have them broken in, there's a hole in the heel, and you have to get a replacement.

Right now, looking at my projected calendar is sort of like taking a pick into the Looney Toons version of Hell, since all that I've really bothered to list are conventions (either guest slots or "can't miss it" situations), release dates (which provide some very odd entries), and due dates for various projects (somehow managing to be odder still). There's nothing on there about birthdays, or leisure activities, or, you know, sleep. It's all just work.

I have a lot of work coming up.

Please consider this a blanket reminder that, especially right now, as I strive to be Christopher Walken, my weekends and free time fill up literally months in advance. Barring last-minute cancellations (which do happen), the general answer to "are you free this _____?" is going to be "no, I am not," possibly accompanied by hysterical laughter.

This isn't because I don't love you.
This isn't because I'm trying to avoid you.
This isn't because I've decided that I have better uses for my time.

What this is is me trying to keep all my balls in the air, in part, by being very draconian about scheduling. So if you want my attention, ask early, ask often, and ask via email, not through IM, Facebook invite, or comments on my journal. Email gets remembered; all the rest of those get forgotten.

Hell, maybe I'll get truly ambitious, and carve out time to take a nap.

...it could happen.

(*My Franklin-Covey planner refills used to come with single-page sheets for each of the months in the following year, thus allowing for basic planning before the next year's planner refill became available. That wasn't the case in 2010, which is why I'm now using the one-page-per-year 2011 from my 2009 planner refill. Yes, this is a little thing to be whining about, but dammit, I'd grown accustomed to the ease of having a whole second year slumbering at the back of the planner.)
seanan_mcguire: (princess)
It's official; convention season is starting. I'm in the process of getting ready for Marcon. Kate and I are on a Thursday morning flight so early that it's effectively a Wednesday night flight, which is always fun, and will either result in my having my usual weird mid-air dreams or in my getting a lot of work done. The jury is still out on which that's going to be. We're coming back to California on Monday.

The following Saturday (June 5th), I'll be appearing at the Borders Books and Music in Pleasant Hill, California. This is my first-ever Borders event. The Saturday after that (June 12th), I'll be at SF in SF with Deborah Grabien. This is my first-ever SF in SF. Sensing a trend yet?

Somewhere in June, I have to cram in a few rehearsals with Paul Kwinn, my partner in crime, because 4th of July weekend is the combined Westercon/Conchord. I'm Westercon's Music Guest of Honor, and Conchord's Guest of Honor (Paul is the Conchord Toastmaster), and I guess that means we shouldn't suck. July 10th, I'm with Jennifer Brozek at Third Place Books in Seattle; July 17th, I'm with Jennifer Brozek at Borderlands Books in San Francisco. The weekend after that is the San Diego International Comic Convention, which is going to be huge and exhausting, as always, and the weekend after that is Spocon, in Spokane, Washington, where I'm going to be their Music Guest of Honor. (Tanya Huff is their Writer GoH. Urban Fantasy Mafia in the house!)

August is Australia. And the Campbell Awards. And the twitching.

Somewhere in there, I need to finish The Brightest Fell and make some serious headway on Blackout, since they have, y'know, due dates. I only have five more Sparrow Hill Road stories to write, which is a good thing, but they're some of the most important in the series, which is less good. So if I seem a little hyper in the weeks to come, it's just because I have replaced my blood with embalming fluid and espresso.

Whee! Convention season is fun!
seanan_mcguire: (me)
So recently, Neil Gaiman made a post about entitlement, which has been circulating widely under the assumed title of "George R. R. Martin is not your bitch." Good title. Interesting entry. Lots of people are saying lots of things about it, most of which boil down to "here, here" and "you go, girl." Er, "you go, British guy." Whatever. Anyway, as is my natural inclination when presented with such things, I've been thinking. (And she's been crying, and I am the Rain King.)

See, the core premise of the original post is one that I agree with: an author doesn't owe their work to anyone except, perhaps, their agent and their publisher. Buying Rosemary and Rue doesn't somehow create a contract between us wherein I swear on penalty of death to do nothing but work on Toby books, all day, every day, until the series comes to a satisfying conclusion. For one thing, Kate would kill me. For another, if I worked only on Toby, with no pauses for other books, I'd go crazy, and the quality of the Toby books would decrease dramatically. And then The Agent would kill me (if Kate didn't get there first).

At the same time, the email which inspired the post contained a very different question. Is it wrong, the writer asked, to be annoyed when I read the blog of a favorite author and see nothing to tell me what the status of the next book is? And to that I have to say, quite honestly...

...no.

Look: there is no formal "deliver or die" contract between writer and reader, and there's a reason, as [livejournal.com profile] jimhines so helpfully pointed out, that very few publishers actually punish authors for missing their deadlines once in a while. Quality matters, and sometimes getting something done right takes longer than originally expected. I finished Late Eclipses in December of 2008, dammit! It was done! It was...nowhere near as good as it honestly needed to be, both to live up to the standards set by the first three books, and to live up to the standards I set for myself. I gave it to The Agent. She promptly gave it back, with a command to fix it. If I'd been working to a January deadline, I'm afraid my release date would have slipped more than a little as I took the book and ripped it apart to resolve its structural issues. Quality is always going to come first for me. Hopefully, it'll be a long time before that makes me miss a deadline, but even I and my OCD work habits can't guarantee that slippage will never occur.

At the same time, I do believe that there's a certain "social contract" which exists between writers and readers when those writers hang out their proverbial shingles out for the world to see. Once I've opened a professional blog and announced that hi, this is the professional blog of Seanan McGuire, come on in, I do owe you updates, even if those updates are things like "didn't work on Toby this week because I was busy following the Counting Crows around the Pacific Northwest" or "didn't finish the new chapter of Discount Armageddon because Alice got into the watercolors again." I have said, on some level, that I will keep you posted. The social contract demands that I uphold my end of the bargain, and if I don't, you have every right to get annoyed with me.

(This is similar to a scenario that plays out frequently with web comics, who have been dealing with their audiences online for longer than nigh anyone else. New guy hits the web comic scene, updating regularly. Sets an update schedule. Basks in the love. Starts missing updates. People start to complain. Snaps "I do this for free, and you should be grateful." Well...yes and no. I don't have the right to demand you work for me, but I do feel that, once you've entered into a social contract which says I'll get updates on days one, three, and five, I should get an update on those days, or, failing that, I should get information on why that update isn't there. That was the deal. If you tell me why the update is missing, you take away my license to bitch.)

In conclusion, no, George R. R. Martin is not your bitch, and no, you shouldn't view delays as personal attacks. Often, delays are there because the book is being made better. But yes, I do believe that once an author says "come hang out in my virtual office and play with my virtual fidget toys," you have a right to expect to be told what's going on, and a right to ask "why is the eighth book in this series not out yet?"

It's all a matter of where you stand.
seanan_mcguire: (alh)
The second of the Toby Daye books, A Local Habitation, has officially been turned in to DAW. Everybody dance! There's a lot of editing to come on both the books I've turned in -- the in-house editorial process hasn't even started, and you'll all have the opportunity to watch me lose my tiny little mind as things get going -- but the editing and correction that can happen independently on my end is done. My babies are out of my hands.

(It probably says something about my psyche that, after sending A Local Habitation to its reward, I spent an entire train ride poking fiercely at the pacing problems I'm having with the start of An Artificial Night. Someday I'm going to write the last book in this series. The next day, I'll probably start something fifty books long, just so I never have to experience that lack of destination again.)

For right now, I will pretend there's no work left to be done, and that the books are perfectly perfect in every way. Because that allows me to throw my hands in the air and declare a velociraptor dance party to last until dawn.

DINOSAUR DANCE PARTY TIME!

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