seanan_mcguire: (pony)
It's no secret that I spend a lot of time thinking about fanfic. (And those links are just "fanfic as a general concept"; they don't touch on my frequent crankiness about the concept of the Mary Sue, or connect to any of my actual fanfic.) I think fanfic is a hugely important part of the way we interact with stories as a society, and that it's really so much older than anyone wants to admit. Remember that Shakespeare was, in many ways, writing fanfic. Remember that the Brothers Grimm changed the stories they collected to better suit themselves, which is part of the definition of fanfic. It's an ancient tradition, and it goes back to the first time someone told a story they'd heard about a friend, but modified it to be a little bit more interesting.

I am not saying that everyone in the world needs to write, read, or adore fanfic. For one thing, I don't think there's any truly universal "everybody has to do this" experience, except for maybe peeing. Everybody pees, right? For the purposes of this essay, everybody pees. (If you do not pee, please don't tell me.) So no, if you're not into writing fanfic, I am not judging you. I am not saying you're not awesome. If you're not into reading fanfic...I think there's a very good chance your definition is too narrow. Shakespeare, as I have said, wrote fanfic. Virgil. Bridget Jones's Diary and Wicked are both alternate universe, or "AU," fanfic of other people's properties. 10 Things I Hate About You and Easy A, also basically fanfic. Any company or studio-owned property where the original author is no longer in charge? Kinda fanfic, on a lot of levels.

You do not have to read Harry/Draco romantic coffee shop Little Mermaid AUs to be reading fanfic. Fanfic is everywhere. The fact that some of it is based on things that have slipped into the public domain does not make it any less fanfic: it just makes it fanfic that can be sold for a profit.

In recent discussions of fanfic, I've seen several people say things along the lines of "but all fanfic is about sex" and "it's not okay when people write relationships that don't exist in the canon." (Neither of these is an exact quote: I am paraphrasing from multiple sources, in part because I'm not trying to call anyone out in specific, and in part because these are sentiments that I've seen repeated on almost every discussion of fanfic. I think that it's something we need to talk about.

First up, "all fanfic is about sex."

This is patently untrue. A huge amount of fanfic is about things other than sex. I read a novel's-worth of fanfic every week or so, and I very rarely read explicit sex unless it happens in the context of a long, long story about other things. Most of my favorite fanfic would not be rated above an "R." Much of it wouldn't get above "PG-13." But let's assume, for the sake of argument, that 50% of fanfic is purely about the sex. 50% of fanfic, however well or poorly written, is only there for bangin', clangin', and bringing down the house. Okay.

And?

Erotica is a big deal. Porn is a big deal. There's a huge amount of it out there, and there's a whole industry dedicated to making porn parodies of popular properties. XXX-Men and the Anal Avengers and Wet Dream on Elm Street, these are all things that exist. They're basically thinly veiled visual fanfic, much of which is incredibly male-gazey and heteronormative and gives us the superficials ("A dude dressed like Giles is going down on a chick dressed like Willow in the latest installment of Muffy the Trouser Slayer!") without giving us the things that draw us to the property in the first place. "Porn with plot" is a huge fanfic category because people want to write some fun erotica, but want it to actually be about characters, not cheap cosplay with enormous primary and secondary sexual organs.

Some of the pairings fanfic authors pursue will make some people uncomfortable. I used to be heavily involved with Supernatural fandom, and I hated the most popular pairing, which put two brothers together in sexual situations. But the nice thing about fanfic is that responsible fanfic authors will tag their smut. So if I clicked a link for a piece of fic and saw "M/M, Sam/Dean, Incest, NC-17" as the tags, I knew that I needed to nope on out of there. The authors, who hurt no one, got to have their fun; their readers, who hurt no one, got to read some awesome smut; I went and found stories about Dean and Jo being awesome, often in a fully platonic way. Not everything is for everyone.

But okay: some people don't want to read about non-canonical sex. That's cool. Just don't click that link, and you'll be safe from all the porn. Porn cannot in fact follow you home.

Note: I am not saying that you need to start reading fanfic porn. No one is required to read anything, unless they're taking a class. (If you do not want to read fanfic porn, avoid courses titled "Tranformative Erotica in the Copyright Age.") But using "there is porn" as a way to shut down all fanfic is reductive and unnecessary, and what it shows is not a clean-minded commitment to the canon; it's a refusal to consider that there could be depth and meaning to something that is hugely important in a whole lot of lives.

Secondly, we have "it's not okay when people write relationships that don't exist in the canon."

I want to tell you two very important things that it took me a long time to realize. The first is that if you're talking about something like a TV show or a comic book or a movie, the odds are very good that those characters, and that canon, were created by committee. You will have multiple people putting words into the same mouths, and while there's generally an effort made to keep characterization relatively straightforward, at the end of the day, each of the real people will have a different version of that fictional character in their heads. Take, for example, Usagi Tsukino, better known by most people as "Sailor Moon."

Usagi's role on the show is to love. It is to be a soldier of love, a warrior of love, someone who will die for love. She is love all-encompassing, love without limits. Yeah, she's a little immature sometimes, but that's okay, because she loves you.

My friend Nikki is doing an end-to-end rewatch of Sailor Moon. In a recent episode, there was a scene where Usagi, upon being presented a love letter from a girl, said "I'm taken," which is totally great and good, and then "But you should fall in love with a boy, it's way better" (paraphrase). Um, what? This is a girl who has died and been reborn for love, who is in awe of the relationship between two female friends, and who has never said anything like this before. It's just a little dagger of heteronormativity coming unexpectedly from the mouth of the living avatar of love. (Nikki points out that Usagi did say something similar once, about a hundred episodes earlier, before she really got to know Haruka and Michiru, and that both times, it was done purely for comedic effect. So take that as you will.)

It's canon. She said it on the show. But it's not a thing my Usagi would ever say, and it may not be a thing that Naoko Takeuchi's Usagi would ever say. Naoko Takeuchi created the franchise. She did not write that episode. Do you see where I'm going with this? It is entirely possible to have things in the canon that contradict the character as it was intended.

The second is that creators can be wrong. I have written scenes in various books and stories that were pointed to by my beta readers (thankfully) as being incorrect. Sylvester wouldn't say that; the Luidaeg wouldn't do that. Because I have good betas, I can fix those things, but there's always the chance that someday I will go entirely off the rails. I will kill a character because I am mad at a real person who loves the fictional person I have created. I will write a final chapter before I actually begin the series, and refuse to revise it. I will do something that makes my most loyal readers go "whoa, fuck, back it up babe."

Some of them will back it up with fanfic.

Note that this only addresses creator failure. With shows and movies, there's real life to be considered as well. I know a lot of Glee fanfic authors who have gone fully AU following the deal of Cory Monteith, who played the romantic lead. They don't want to continue the series without him, and I can't blame them at all.

Now that I have told you these two very important things, and their sub-things, here is another thing: who cares?

When I watched Kim Possible, I always expected Kim to wind up with Shego, not Ron. I believed that Myka and H.G. were meant to be (I still do). I looked at Parker and Hardison and Elliot and saw a family unit that was never going to give a damn about who was sleeping with who (although Elliot would probably tell you that Hardison had a very distinctive snore, while sleeping with Parker was like sleeping with an abnormally large housecat that hogged the pillows). In the first, it was a cartoon; never going to happen. In the second, I'm not sure why the writers made the choice they did. In the third, I got my wish. But if I hadn't, the way I viewed the show would have remained entirely valid.

I get checking out when someone is writing a pairing that doesn't work for you. My dislike of Sam/Dean in Supernatural has less to do with them being brothers than it does to do with the fact that I just can't buy them as a couple. But sometimes couples have surprised me. I just finished reading an epic-length Harry Potter fic where Neville/Padma was a primary pairing, and I would never have expected it to be awesome, and it was awesome. There is room for beauty outside the canon, especially when the canon is the work of many hands.

Especially with older fandoms, or with pairings that involve a lead character, straight is an assumed default. Well, statistically, that's not right. One in ten. So that's one Ensign, one Companion, one whatever in ten, minimum, who shouldn't be straight. When I'm writing fic about a show that didn't give me the representation I needed, what's wrong with wanting to see it? (Before the inevitable question: the reason writing Buffy/Faith is applauded, and Tara/Xander is likely to get you a frowny face, is that same issue of representation. One in ten. Currently, we have less than one in fifty on a canonical level. Taking it away because you want to show that it's an equal playing field is not creating an equal playing field. It's being a jerk. Unless that is the only story you want to write, please, consider the numbers, and don't.)

I'm not expecting to convince anyone who's already decided fanfic is awful that they should give it another try; some ships have sailed. But I am asking that you consider the arguments you hear about it, and consider why they might be flawed. There's nothing wrong with writing a little smut. There's nothing wrong with having your own view of the canon, especially when that canon goes on for more than a single book. And there's nothing wrong with seeking representation where there isn't enough.

These are all reasons that fanfic is glorious, and that I am so, so glad to be a part of the fic community. I always will be.
seanan_mcguire: (barbie)
So I've had this lovely link about fanfic and why some people may not be comfortable with it and why maybe those are feelings that should be examined sitting at the top of my link file for literally three years. I mean that. Three years and a month, it has waited for me to feel up to talking about it.

Y'know what? Sometimes you just gotta stop waiting.

It's no secret around here that I love fanfic, although it's one of the three Big Truths that I feel the need to reveal for the first time every six months or so, as new people wander in and are totally shocked to discover that...

1. I have OCD.
2. I am Mira Grant.
3. I love fanfic.

These things are sometimes equal in their shocking nature. "Wait, you can be a best-selling author without being neurotypical?" Yes! "Wait, Mira Grant isn't a real person?" She's real, she's just, you know, me. "Authors can love fanfic?!" Yes.

Yes we can.

If I had the power, I would ask all the authors in the world to do Yuletide or something like it every year. Sign up for a fic exchange and write some porn for a stranger; tailor your stories to an audience of one, let go of the long-form plots and the careful wide-spectrum appeal, embrace the joy of spending a hundred words on Carlos's perfect hair or Buffy's perfect shoes or Jo's perfect knives. Remember the joy of waiting for one person to open a story and see what it contains.

Because fanfic is joy. Fanfic is fixing the things you see as broken, and patching the seams between what's written and what is not, and giving characters who got cheated out of their happy endings another chance. There was a time, not that long ago as we measure things, where all fiction was what we would now call "fan fiction." Shakespeare didn't come up with most of his own plots. He wrote plays about the stories people already loved. We didn't get a thousand versions of "Snow White" accidentally: people changed that story to suit themselves, and no one said they weren't storytellers, or looked down on them for loving that core of red and black and white, of apples and glass and snow.

Originality wasn't the god of fiction until the last few centuries, and even then, we didn't fixate on it until we reached the era of modern copyright. Mickey looks a lot like Oswald, if you know what I mean. Wanting to work with characters you already know and love is not a new urge. Hell, all television and non-creator-owned comics can be viewed as fanfic, if you squint and cock your head, because much of it is being written about characters and situations created by other people. It's just fanfic with contracts behind it.

I recently accomplished the fanfic writer's dream: I was paid to write a story about a character created by Charlaine Harris, Amelia Broadway, which was published in the anthology Dead But Not Forgotten. I admit, I kissed that check, because it was the fulfillment of a life-long dream. I didn't make canon, necessarily, but I made fanfic for the world.

I encourage and celebrate fanfic of my work, even if I can't read it right now. Because fanfic is amazing, and it's important. It allows us to interface with the things we love in a way that is otherwise virtually impossible.

That's amazing.
seanan_mcguire: (barbie)
Title: Five Moments In a Life That Never Was.
Rating: PG.
Fandom: Doctor Who.
Synopsis: Five snapshots of Susan Foreman, later Susan Campbell, daughter of Gallifrey. Written ages ago, and re-posted in honor of the 50th. Thanks to [livejournal.com profile] khaosworks for fact-checking.

When she sleeps, her name isn't Susan. When she sleeps, her name is something long and liquid... )
seanan_mcguire: (marilyn)
Hey, San Francisco peeps: tomorrow night is the first ever Shipwreck event at The Booksmith in San Francisco, and I'm one of the competing authors. What's a Shipwreck? Well, to quote the website:

"Good theatre for bad literature? Marital aid for book nerds? Competitive erotic fan-fiction at its finest? Shipwreck is all of these things.

Six great writers will destroy one great book, one great character at a time, in service of the transcendent and the profane (and also laughs). Marvel as beloved characters are plucked from their worlds and made to do stuff they were never meant to do in places they were never meant to see."

Our inaugural book is The Great Gatsby, and uh. We surely have fucked things up. It's competitive erotic fanfiction, which is 1000% as horrifying as you think it is, and you're going to need to be there to believe it. (For the six or so of you who have read my entry, the competition part of things is blind, for the sake of fairness, so please don't comment revealing which character I was assigned.)

If you're in the Bay Area, it's just $10 to suffer indignities that none has ever suffered before, and to hear some hysterically filthy stuff read by a Shakespearean actor. Come for the LOLs, stay...well, stay for the LOLs, and the booze.

Shipwreck!
seanan_mcguire: (barbie)
So last week, while I was at Disney World, the "Amazon Worlds" program was announced. In a nutshell, Amazon has acquired a "derivative works" license for certain properties (inc. Pretty Little Liars and The Vampire Diaries), which will allow people to publish authorized fanfic through Amazon Worlds. It can't be smutty, and there are no crossovers allowed at this time (even between the properties Amazon has already licensed), but genfic in a single universe is completely okay.*

Now, from a strictly "I am a child of the fanfic mines" standpoint, I can see two really awesome aspects to this:

1. If I publish through Amazon Worlds, I can't be sued for playing in someone else's sandbox.
2. I could get paid.

Let me be very clear here: right now, under the law, you can't be paid for fanfic, because then you're abusing someone else's intellectual property. By creating this license, Amazon has essentially set up a licensed tie-in factory, which allows for payment of authors without any illicit exploitation of someone else's IP. There's even a clause in the Amazon Works program which makes it okay for the IP holders to read the fanfic-for-pay: the rules state that if the IP holders want something you created and put in your Amazon Worlds-published fanfic, they can just take it. Since most of the "no please, don't tell me" attitude among some creators comes from fear of being accused later of stealing someone else's ideas, this is a great protection for IP holders.** For fanfic creators, maybe not so much.

"But wait," some people may cry, "are you saying you want fanfic creators to erode your copyright?" No. I am not. For one thing, copyright doesn't work that way. But original characters in fanfic sometimes shed the skins of their origins and go on to have adventures and worlds of their own. A lot of today's working authors started in the fanfic mines, and many of them brought their OCs with them when they moved on. It's easy enough to change things—Penny from The Rescuers becoming Jenny in Oliver and Company when Disney realized they didn't want to put those moves in the same continuity—but still, it creates a potential muddy water scenario that would make me uneasy if I were a fanfic writer in those fandoms, considering submitting stories that contained original characters or ideas. There's also the concern that, well...fanfic writers like to share our toys. My fanon could wind up in your fic could wind up on the show, becoming canon. And yeah, most of us would kill for that, but since there's no way of tracing things back, it could become a case of "I borrow your ideas, the show takes what they think are my ideas, you were never consulted, you didn't get to opt in."

As for the question of payment, I regularly pay people for fan art of Emma Frost, which then hangs in my house, because I am a nerd. Why should paying someone for fanfic, under the right set of conditions, be any different?

But this is all sort of speculation and relatively harmless "maybe." I mean, much of what Stephen Moffat has done as the showrunner of Doctor Who is make his fanon canon, and it hasn't hurt him any; I dream of the day I get to start making some of my X-Men fanon canonical. What concerns me more is the possibility that creating "licensed fanfic" as a category will lead to more of a legal crackdown on "unlicensed fanfic." "Oh, sorry, your archive is outside the bounds of our derivative works licensing, here is your C&D."***

I've seen a lot of people talk about how fanfic works because it is a community effort. And I've seen a lot of the "ha ha all fic is porn, this won't fly" laughing. But what I haven't seen much of is acknowledgement that fanfic is a way for marginalized people to take control of stories that are so often aimed at a sort of safely privileged able-bodied straight male whiteness, engage with them, and fall more deeply in love for that engagement. Fanfic gave me women who were allowed to be strong, not stuffed into refrigerators. It gave me lesbians and bisexual women, and people who owned their often messed-up sexuality. And it gave them to me in the framework of a world I already knew and loved and was aching to interface with as a coherent equal, not as someone treated as a "fringe viewer" by the main narrative.

Yeah, there's a lot of porn. But don't we all deserve a little porn every once in a while?

Fanfic is a huge, collaborative, interactive way for people to be a part of the stories that they love, and I worry that Amazon Worlds is a big step, not toward monetizing fanfic, but toward mainstreaming it in a way that will sap many of the qualities that make it so important. The minute I can say "sorry, this fanfic over here is licensed, and yours is not, so cut it the fuck out," there is a problem. People need to be unafraid to write their stories, the way they want to write them, and learn in the process.

So yeah. I am leery and concerned.

(*This is my understanding based on a reading of the program rules, and based on discussion by other people. I could be wrong. If I am, I'll update.)
(**This is not true of everyone. Some people just hate fanfic. I've never understood that, so I can't really speak to it, but it's a real and pervasive point of view, so I don't want to sound like I'm speaking for those folks.)
(***Technically those C&Ds would be legal even now. I've seen them served. But without something like Amazon Worlds to be held up as proof that fanfic writers are somehow "stealing income" from either the IP holder(s) or the publishing program, they seem to be short-term things that everyone quietly forgets about.)
seanan_mcguire: (rose marshall)
And now, the final two Sailor Moon fairy tales, again because I like keeping things in one place. It's tidy.

Click here for the Prince who loved roses, and the Rabbit who lost the moon... )
seanan_mcguire: (knives)
My friend Nikki asked what Disney Princesses the Sailor Scouts mapped to; I, naturally, responded that the Sailor Scouts were too awesome to be pre-existing Princesses, and would have fairy tales of their own. Nikki then dared me. This was the result.

Together for the first time in one place, four Sailor Moon fairy tales. Enjoy. )
seanan_mcguire: (me)
Fanfic has come up several times in the past few days. People I know have been talking about it, either in the context of "is fanfic okay?" or "this piece of fanfic is awesome!" And with The Hunger Games about to appear on the big screen, we're standing on the precipice of a vast flood of fic, some based on the movie, some based on the original books, and some trying to reconcile the inevitable differences between the two. Oh, and there will be banging. So. Much. Banging. Because regardless of the source material, that's what roughly fifty percent of fanfic is for. And because of all this, I've been thinking about fanfic.

Not that it's hard to make me think about fanfic. Yesterday, for example, I spent a relaxing hour during my "lunch break" (a nebulous concept on a Sunday, admittedly, but since I worked all damn day, I wanted a lunch break) reading Glee fanfic. Most of it was Rachel/Quinn, which is not a 'ship I necessarily endorse on the show itself, but which has attracted some really awesome authors whose work I hugely enjoy. I became a professional author largely because I had been writing fanfic for so many years that I was eventually able to level up and start playing in my own sandboxes. I love fanfic. I love it. And because I've been thinking about fanfic, I wanted to make a few statements about fanfic.

Fanfic can teach you how to write.

I'm serious. If you have a good critique group, usually referred to as "beta readers," to go over your work before you post it, fanfic can be a great tool for learning how to put together a good sentence, a good paragraph, and a good overall narrative. You have to be ready to hear criticism, because the fanfic community is also a great place to go for unrelenting praise, but if you're ready, the tools for improvement are there. Playing in someone else's world is an excellent way to dodge the initial world building step, and get straight to dialog, composition, and the all-important "building a good story." It lets you hone your tools in a safe place, and that's incredibly helpful.

I didn't learn how to build good worlds from fanfic; I had to start doing my own thing before I could learn, and apply, that lesson. But I learned to write good dialog from fanfic, and I learned how to make people care. The fanfic community was hugely important to, and influential toward, my development as a writer.

Again, there are some pitfalls to this approach. Fanfic can easily become a closed circuit of production and praise, where people who want to read exactly what you're writing tell you how awesome you are, so you write the same thing over and over again, without any growth. Fanfic can seem like an excuse to be sloppy. But if you're approaching it seriously, which many really good fanfic authors do, it can teach you an incredible amount about writing, about receiving critique, and about taking editorial feedback. The first really thorough editorial feedback I ever received was on a piece of fanfic, and I have held those lessons dear to my heart since I was sixteen years old. Fanfic is an awesome learning lab, and the only credentials you need to enter are a knowledge of a fandom you'd like to write in, and the willingness to be told when you're terrible.

Fanfic gives you the freedom to do things that are difficult to do in more traditional fiction.

Some of my favorite things to both read and write in fanfic are "mood pieces," little meandering stories that don't do anything but paint a picture of a moment, or look at an event from a different direction. They're all about introspection and re-framing, and when they're good, they're amazing. But they're not the sort of thing that sells. I can (and do) write them about my published series, but they're not the sort of thing that generally winds up finding a very wide audience. And in fanfic, that doesn't matter. I've written stories with a projected audience of three. All three people were happy, and I was content.

I love AU fanfic—alternate universe stories where things went a little different, someone died or didn't die or married their season one sweetheart or it's a Shakespearean tragedy or or or. And AU is hard in traditional fiction. I've managed to play around with it a bit in "Velveteen vs.", where I have the superhero framework as an excuse, but I doubt Toby will ever meet her cross-dimensional counterpart (which is a pity, because I bet it would be fascinating). I like having the option to twist things and see how everything unfolds from a new starting point.

Fanfic can help you find your voice.

I know people who say "why don't all those fanfic writers just play in their own worlds?" And the thing is, some of them will, some of them do. People don't have to choose one or the other, absolutely, no mixing or matching. A lot of fanfic authors go on to become professional authors, and keep on writing fanfic in whatever spare time they have. I am not a special snowflake in this regard. I belong to a blizzard. There are a lot of reasons that people write fanfic. Sometimes we do it because we're in love with a setting that someone else has created. Sometimes we do it because we want to fix what we view as flaws, or create a more balanced back story for a character we feel has gotten short shift, or just because we feel like it. Sometimes we do it because we're bored.

But every time we do it, even when we're trying to sound like the original creator, we're getting a little more solid in our own voices, in the ways that we shape and approach narratives. We find ourselves in the space between someone else's story. At the end of the day, is learning to write by producing reams of Buffy the Vampire Slayer fanfiction any less legit than retelling "Snow White" eighty-seven times? I don't think so. It's less commercial, since you can't (and shouldn't) sell your fanfic, but it's still a natural part of figuring out who you are as a writer.

Not every writer will write fanfic. Not every writer needs to, or wants to. But for those of us who do, it helps us find ourselves. And that's important.

Fanfic is just plain fun.

I wrote a Josie and the Pussycats/Veronica Mars crossover fic once.

I think that sort of says it all.

Fanfic can change the way you think about a story.

I've heard a few people say that everyone who writes fanfic is a spoiling spoiler who spoils, throwing mud and slime all over something beautiful. And everyone has a right to an opinion. But while I have never had a piece of fanfic change my opinion of a story negatively, I have had pieces of fanfic make me look at the original work in a new, and much more open-minded, way. Because fanfic shows love, and love means there's something there for me to care about.

I've never read a piece of fic and thought "ew, I'm never reading/watching the source material." The opposite is very much true. Good fanfic, inspired fanfic, brings new eyes to the table, and new eyes are never a bad thing. Having my view of the story transformed makes me more willing to accept where the original narrative goes, and more likely to stick around for the ride. I've never dropped out of a fandom where I was actively invested in the fanfic. Again, the opposite is very much true.

And now, the big thing...

I cannot officially know about fanfic based on my work, but that doesn't mean I hate it.

Like many authors, I find myself in an awkward position regarding fanfic based on my own work. So here is my official stance on the subject:

Don't tell me.

I have Google spiders; it's entirely possible that I will unofficially find out about your epic Toby/Tybalt Candyland slash party. But I promise to delete that notification without clicking through if you promise not to push the story in my face. If I officially know about it, I officially have to ask you to take it down, because there's no way to prove I didn't read it if it turns out that, say, Toby and Tybalt really are going to have a threeway with the Luidaeg on the top of Candy Mountain. So just don't officially tell me about it. If you write a lot, the odds are good that you and I could end up in the same archive. That's cool. I won't fuss about it if you don't.

I love fanfic for everything it does for writers, and for readers, and if in ten years, the author of the hot new urban fantasy series shyly tells me that she got her start writing Quentin/Raj sexy boys' adventure fic, I will applaud, hug her, and probably buy her dinner. I want fanfic to thrive forever and forever, and keep producing amazing stuff for me to read. And the day the very last Toby book is published, I am doing a huge fanfic websearch, diving into some archives, and reading myself sick.

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