seanan_mcguire: (knives)
A few months ago, I got an email from a reader who had a question she wanted me to answer. I like questions. If they're not spoilery for things that haven't been published yet, I'm generally willing to give them a go. This question, however, stumped me for a little while:

"what is the purpose of Dr. Kellis being gay? It neither adds or subtracts to the story line but is distracting."

Dr. Kellis was gay because Dr. Kellis was gay. I "met" the character in the same scene that everyone else did, when his husband showed up to try and convince him to leave the lab for a little while. He was a man, he had a husband, he was at minimum bisexual, and for the purposes of the story, he was gay. He was a gay scientist. Since he wasn't working on gay science (I'm not even sure what that phrase means), it mattered purely in the sense that when he talked about going home, it was to a husband, and not a wife. I honestly never thought about changing it. While everyone in the world is at least somewhat defined by their sexuality—it shapes us throughout our lives, both in the exercising of it and in the existence of it—I've never felt like it was the be-all and end-all of human experience.

What weirded me out a little, and still does, is that no one has ever asked me "What is the purpose of Character X being straight?" No one has ever called it "distracting" when Velma has naughty thoughts about Tad, or when Toby blushes because Tybalt is commenting on her clothing. Men and women, women and men, it's totally normal and invisible, like using "said" in dialog instead of some other, more descriptive word. It's invisible. But gay people are distracting. (Bisexual people are apparently even more distracting. I've had several people write to tell me that a piece of text in Blackout can be read to imply that Buffy and Maggie had sex, and some of them have been less than thrilled when I replied that there was no implication intended: Buffy and Maggie had sex. Repeatedly. Lots of sex. Lovely sex. They enjoyed it a lot, but Maggie took it more seriously than Buffy did, and Buffy wanted to keep things casual, so they broke up. But before they broke up? They had so much sex.)

For the most part, I let my characters tell me what their sexuality is, once it starts to have an impact on their characterization. I don't write Bob as a gay man and Tom as a straight man and Suzie as a lesbian: I write Bob as a zookeeper and Tom as a ballet teacher and Suzie as a ninja, right up until the moment where they have to interact with someone they'd be attracted to. Sometimes, that's when they tell me what they're into. Since this is all in first draft, I can go back later and clean things up, clarify things to add any additional detail that needs to be there, but I almost never tell them "Oh, no, you can't be gay, it would be distracting. It's not allowed."

(The one exception is with characters who are here to go—the ones created to be slaughtered in fifteen pages or less. They're not all straight, but I have to stop and think long and hard about how I would have felt, as a bisexual teenager, if I had finally, finally encountered an awesome bisexual woman in fiction, only to see her die before she got to be amazing. Sometimes this does result in my reexamining their relationships, as it's also difficult to really form strong character portraits in fifteen pages or less. Anyone who's sticking around for more than fifteen pages is fair game.)

Gay people don't walk around saying "I'd like to have an urban fantasy adventure, I'm gay, I like men/women, let's go fight a dragon" any more than straight people walk around saying "I'd like to go to space, I'm straight, I like men/women, let's go steal a rocket." People is the word that matters here. And yes, being anything other than heterosexual and cis in this world means that you're going to experience different things, and have some different perspectives, but it doesn't inform one hundred percent of what you do. I eat pizza the same way my straight friends eat pizza. I watch TV the same way my straight friends watch TV. I chase lizards...well, I chase lizards in a uniquely singleminded and slightly disturbing fashion, but as I'm not a lizardsexual, it has nothing to do with who I do or do not choose to form romantic relationships with.

Dr. Kellis is gay because Dr. Kellis is gay.

He doesn't need any reason beyond that.
seanan_mcguire: (zombie)
I have appeared in two limited edition books from Subterranean Press: A Fantasy Medley 2, which featured my Tybalt-centric novella, "Rat-Catcher," and When Will You Rise?: Stories to End the World, which features "Countdown" and "Apocalypse Scenario #683: The Box." ("Apocalypse Scenario" is not set in the Newsflesh universe, by the way; it's part of my mad science triptych, along with "The Tolling of Pavlov's Bells" and "Laughter at the Academy.")

A Fantasy Medley 2 is now out of print. Very, very out of print. "The signed edition is selling for upwards of a thousand dollars on Amazon" out of print. I do not have copies for sale. I don't generally sell author's copies of anything, because I am not a store, but in this case especially, I didn't receive enough copies to do anything like that. There is no ebook edition, and right now, because I am still under contract for the physical book, I don't have the option to post the story as a free download. Eventually, it will either be reprinted or posted to my short fiction page, depending on how things go, but for the moment, I just don't have the authority. (Most short fiction contracts come with an "exclusivity" clause which guarantees an author won't sell the same thing to thirty markets at once.)

There are some copies of the basic, non-signed edition of A Fantasy Medley 2 currently available on Amazon, starting at about $15. If you're really, really desperate to read "Rat-Catcher" without buying from Amazon, you might want to consider getting a supporting membership to this year's Worldcon. Yes, $60 for one novella is a lot, but you don't just get one novella: you get the entire Hugo Voter's Packet, which is way awesome and packed with goodness.

When Will You Rise?: Stories to End the World is not out of print...yet. But it is a limited edition of 1,000 copies, and I know that a lot of those have been sold. You can find details on the book here. It's a really gorgeous piece of work, with incredible illustrations throughout. And, speaking candidly...I really enjoyed doing this book, and I'd love it if the sales supported Subterranean doing another. So I'm very much in favor of people buying copies for their very own. Both stories included in When Will You Rise? are available through the Orbit Short Fiction Program, so you won't have the same issues getting your hands on them (at least for right now), but this is currently your only option for seeing those stories in physical form.

Hope this clears things up a bit!

(The Velveteen vs. books are also limited printings, although in this case, the publisher has the option to print more if the first print run sells out. So it's not as much of an immediate concern, although naturally, I think everyone should own these books in their own homes, to avoid them somehow magically ending up in mine.)

ETA: Updated some availability notes, as Amazon once again has the basic A Fantasy Medley 2 available for order. Hooray!
seanan_mcguire: (zombie)
Review roundup speed round because OH SWEET GREAT PUMPKIN, THE LINKS. So shorter pull quotes, but functional connections to great review sources.

Geek Speak Magazine has posted a review of Deadline, and calls it "a worthy successor indeed to its progenitor."

The Outhouse has posted a review of Deadline, and says, "this is definitely a good story."

Full-Hearted Life has posted a twofer review of Feed and Deadline, and says, "Anyone who loves a good story with strong characters and excellent writing is going to love these books."

Erin Griggs has posted a review of Feed, and says, "Feed is smart, snarky, and sucks you in. Go read it."

Chicks With Crossbows has posted a review of "Countdown", and says, "All of the questions you’d ever wanted a zombie film to answer, Grant takes on."

Finally for today, Book Fetish has posted a review of Deadline, and says, "Deadline is as close to a perfect read as you can get."

And on that note, happy Tuesday!
seanan_mcguire: (feed)
Some of you may remember that I did a series of blog posts "counting down" to the release of Deadline, chronicling the days leading up to the Rising of 2014. Some of you may remember asking me whether there would ever be a collected edition. And, well. Some of you may remember getting my standard "I can't say anything right now" reply of "LOOK! A BUNNY!"

Well, look. A bunny. Or more specifically, look, Countdown: A Newsflesh Novella now available for your e-reading pleasure! Countdown retails for $2.99, and is an awesome opportunity to have more Kellis-Amberlee goodness for your very own.

Click here to go to the official Orbit Short Fiction page for Countdown.
Click here to go to Amazon, and the Kindle store.
Click here to go to Barnes and Noble, and the Nook store.
Click here to go to the iBook store.

Now, some people will doubtless ask why they should pay for this when they can (and possibly have) read it for free on my blog. They may not ask me directly, 'cause we're normally more civil than that around here, but I'm going to answer anyway. There are four really good reasons.

1. This is a professionally formatted file, with all thirty days in the same place. No clicking, scrolling, or getting lost in my occasionally quixotic tag system. Basically, it's three dollars for total convenience.

2. I said a few times while writing the original series of posts that errors would creep in because writing live left me no time to go back and revise. Well, the luxury of Countdown becoming something I was paid for allowed me to go back, edit, adjust, and correct a lot of things, some little, some big. It also got a pass through the Machete Squad, making it a much higher-quality work.

3. The novella I want to do next year for Blackout is much larger and more ambitious, and it's really going to need those editorial revisions to be as good as I want it to be. The sales of Countdown will encourage Orbit to buy The Rising 2014: The Last Stand and Final Fall of the California Browncoats.

4. My cats like to eat. My cats like to eat a lot. My cats will, eventually, if unfed, eat me. If the cats eat me, I stop writing. If I stop writing, everyone will be sad. Except for me, as I will have been eaten. Buying Countdown helps me shove gooshy food into the fluffy monsters, and allows me to remain uneaten.

Countdown!

(If you have links to other ebook stores, please kick them over, and I'll add them.)

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