seanan_mcguire: (winter long)
2015-07-31 06:26 pm

Quick, nonjudgmental question.

I'm putting together my giveaway schedule for August, and I have a lot of copies of The Winter Long. I also know that most of y'all have either a) bought that book, or b) not started the series. So here is my question:

Do we have enough people here who are caught up otherwise who still need a copy of The Winter Long? I don't want to send book eight to folks who've only read books one and two; that's counter-productive and really spoiler-y. At the same time, I want to make sure people with limited book budgets can still read A Red-Rose Chain when it comes out. Thus checking to see whether this would be a valid giveaway plan.

Caveat: I am still not up for international mailing. So this is really a question for my US readers.

Comment amnesty is on for this post. I just need data.
seanan_mcguire: (coyote)
2015-04-21 08:16 am
Entry tags:

A question for the floor.

So:

Shortly before I left for New York (beginning of February, for those keeping track) and began the wonderful whirlwind that has been my spring convention season, I opened a hardship giveaway. Because of the timing of the trip, winners were not selected before I left, and have, in fact, not been selected yet. Since then, two more books have become eligible for hardship inclusion (Pocket Apocalypse and Rolling in the Deep). Also, due to apparent unclarity on my part, several people asked for books which I do not have in my possession. My question is this:

Should I do a drawing from that original giveaway post, or should I make apologies and open a replacement giveaway, with the updated book information?

If you're not sure what a hardship giveaway is, please check the "giving stuff away" tag for a better explanation than I am currently capable of.

Let me know what you think.
seanan_mcguire: (ashes)
2015-02-19 05:09 am

Since people have apparently been asking...

Hi!

I got a ping from Deborah (who monitors the merch account) yesterday, saying that people have been emailing her to go "WHERE SHIRTS?" First, thank you for using the merch account rather than commenting here. I've asked people to do that, and people are doing it, and that's awesome.

Second, shirts are still being mailed. Only not right this second, because right this second, I am in New York, and my mother, who is home with the shirts, doesn't have access to my bank account to pay for the postage. I've indicated several times that shirts are still being mailed, both directly, and by saying things like "I am still mailing T-shirts" in other posts (usually giveaways). As soon as I get home, I will go to the post office again.

The post office, as it turns out, does not look favorably on my bringing more than twenty packages at a time. Ten if they're international.

So please, don't email until I have made a post saying "all the shirts have been mailed, yes, all of them." Until that point, the answer to "WHERE SHIRTS?" is "in my spare room, waiting to go for a ride in the car."
seanan_mcguire: (winter long)
2014-09-01 02:17 pm

Tomorrow's my bookday! Happy bookday!

As of tomorrow, The Winter Long will be officially available from bookstores all over North America, and from import stores all over the world. It's been spotted in the wild from California to New York, with several points between also chiming in to let me know that they've got copies. Hooray!

Since it's release week, I figured it was time to once again answer the wonderful people asking how they can help. So here are a few dos and don'ts for making this book launch awesome.

DO buy the book as soon as you can. Sales during the first week are very important—think of it as "opening weekend" for a movie—but they're not the end-all be-all. If you can get the book tomorrow, get the book; if you can get it at my book release party next month, get it at my book release party. Whatever works for you. Brick-and-mortar store purchases are best, as they encourage reordering. If you've already bought the book, consider buying the book again during release week, as a single copy might get lonely. They make great gifts!

DON'T yell at other people who haven't bought the book yet. I know, that's sort of a "why are you saying this?" statement, but I got a very sad email from a teenager who'd been yelled at for not buying A Local Habitation the week that it came out. So just be chill. Unless you want to buy books for people who don't have them, in which case, don't yell, just buy.

DO ask your local bookstore if they have it on order. If your local store is part of a large chain, such as Barnes and Noble, the odds are good that the answer will be "yes," and that they'll be more than happy to hold one for you. If your local store is small, and does not focus specifically on science fiction/fantasy, they may have been waiting to see signs of interest before placing an order. Get interested! Interest is awesome!

DON'T berate your local bookseller if they say "no." Telling people they're overlooking something awesome doesn't make them go "gosh, I see the error of my ways." It makes them go "well, I guess it can be awesome without me." Suggest. Ask if you can special-order a copy. But don't be nasty to people just because their shelves can't hold every book ever written.

DO post reviews on your blog or on Amazon.com. Reviews are fantastic! Reviews make everything better! Please, write and post a review, even if it's just "I liked it." Honestly, even if it's just "this wasn't really my thing." As long as you're being fair and reasoned in your commentary, I'm thrilled. (I like to think you won't all race right out to post one-star reviews, but if that's what you really think, I promise that I won't be mad.)

DON'T get nasty at people who post negative reviews. You are all people. You all have a right to the ball. That includes people who don't like my work. Please don't argue with negative reviewers on my behalf. It just makes everybody sad. If you really think someone's being unfair, why don't you post your own review, to present an alternate perspective? (Also, please don't email me my Amazon reviews. I don't read them, I don't want to read them, and I definitely don't want to be surprised with them. Please have mercy.)

DO feel free to get multiple copies. No, you probably don't need eight copies for your permanent collection, but remember that libraries, school libraries, and shelters are always in need of books. I'm donating a few of my author's copies to a local women's shelter, because they get a lot of women there who really need the escape. There are also people who just can't afford their own copies, and would be delighted. I wouldn't have had half the library I did as a teenager if it weren't for the kindness of the people around me.

DON'T feel obligated to get multiple copies, or pressure other people to do so. Seriously, we're all on budgets, and too much aggressive press can actually turn people off on a good thing. Let people make their own choices. Have faith.

DO check with your local library to be sure they have a copy of on order. If they don't, you can fill out a library request form. Spread the paperback love!

DON'T forget that libraries need books. Many libraries, especially on the high school level, are really strapped for cash right now, and book donations are frequently tax deductible. If you have a few bucks to spare, you can improve the world on multiple levels by donating books to your local public and high school libraries.

DO suggest the book to bookstore employees who like urban fantasy. Nothing boosts sales like having people in the stores who really like a project. If your Cousin Danny (or Dani) works at a bookstore, say "Hey, why don't you give this a try?" It just might help.

DON'T rearrange bookstore displays. If the staff of my local bookstore is constantly being forced to deal with fixing the shelves after someone "helpfully" rearranged things to give their chosen favorites a better position, they're unlikely to feel well inclined toward that book—or author. It's not a good thing to piss off the bookstores. Let's just not.

So those are some things. I'm sure there are lots of other things to consider; this is, at least, a start. Finally, a few things that don't help the book, but do help the me:

Please don't expect immediate email response from me for anything short of "you promised us this interview, it runs tomorrow, where are your answers?" I normally make an effort to be a semi-competent correspondent, but with a new book on shelves, final edits due on Chimera, and Chaos Choreography in need of finishing, and me gallivanting around Europe, a lot of things are falling by the wayside. Like sleep.

Whee!
seanan_mcguire: (rose marshall)
2014-05-06 04:24 pm

It's my bookday! Happy bookday!

As of today, Sparrow Hill Road is officially available from bookstores all over North America, and from import stores all over the world. It's been spotted in the wild from California to New York, with several points between also chiming in to let me know that they've got copies. Hooray!

Since it's release day, I figured it was time to once again answer the wonderful people asking how they can help. So here are a few dos and don'ts for making this book launch awesome.

DO buy the book as soon as you can. Sales during the first week are very important—think of it as "opening weekend" for a movie—but they're not the end-all be-all. If you can get the book today, get the book; if you can get it at my book release party, get it at my book release party. Whatever works for you. Brick-and-mortar store purchases are best, as they encourage reordering. If you've already bought the book, consider buying the book again, as a single copy might get lonely. They make great gifts!

DON'T yell at other people who haven't bought the book yet. I know, that's sort of a "why are you saying this?" statement, but I got a very sad email from a teenager who'd been yelled at for not buying A Local Habitation the week that it came out. So just be chill. Unless you want to buy books for people who don't have them, in which case, don't yell, just buy.

DO ask your local bookstore if they have it on order. If your local store is part of a large chain, such as Barnes and Noble, the odds are good that the answer will be "yes," and that they'll be more than happy to hold one for you. If your local store is small, and does not focus specifically on science fiction/fantasy, they may have been waiting to see signs of interest before placing an order. Get interested! Interest is awesome!

DON'T berate your local bookseller if they say "no." Telling people they're overlooking something awesome doesn't make them go "gosh, I see the error of my ways." It makes them go "well, I guess it can be awesome without me." Suggest. Ask if you can special-order a copy. But don't be nasty to people just because their shelves can't hold every book ever written.

DO post reviews on your blog or on Amazon.com. Reviews are fantastic! Reviews make everything better! Please, write and post a review, even if it's just "I liked it." Honestly, even if it's just "this wasn't really my thing." As long as you're being fair and reasoned in your commentary, I'm thrilled. (I like to think you won't all race right out to post one-star reviews, but if that's what you really think, I promise that I won't be mad.)

DON'T get nasty at people who post negative reviews. You are all people. You all have a right to the ball. That includes people who don't like my work. Please don't argue with negative reviewers on my behalf. It just makes everybody sad. If you really think someone's being unfair, why don't you post your own review, to present an alternate perspective? (Also, please don't email me my Amazon reviews. I don't read them, I don't want to read them, and I definitely don't want to be surprised with them. Please have mercy.)

DO feel free to get multiple copies. No, you probably don't need eight copies for your permanent collection, but remember that libraries, school libraries, and shelters are always in need of books. I'm donating a few of my author's copies to a local women's shelter, because they get a lot of women there who really need the escape. There are also people who just can't afford their own copies, and would be delighted. I wouldn't have had half the library I did as a teenager if it weren't for the kindness of the people around me.

DON'T feel obligated to get multiple copies, or nag other people to do so. Seriously, we're all on budgets, and too much aggressive press can actually turn people off on a good thing. Let people make their own choices. Have faith.

DO check with your local library to be sure they have a copy of on order. If they don't, you can fill out a library request form. Spread the paperback love!

DON'T forget that libraries need books. Many libraries, especially on the high school level, are really strapped for cash right now, and book donations are frequently tax deductible. If you have a few bucks to spare, you can improve the world on multiple levels by donating books to your local public and high school libraries.

DO suggest the book to bookstore employees who like urban fantasy. Nothing boosts sales like having people in the stores who really like a project. If your Cousin Danny (or Dani) works at a bookstore, say "Hey, why don't you give this a try?" It just might help.

DON'T rearrange bookstore displays. If the staff of my local bookstore is constantly being forced to deal with fixing the shelves after someone "helpfully" rearranged things to give their chosen favorites a better position, they're unlikely to feel well inclined toward that book—or author. It's not a good thing to piss off the bookstores. Let's just not.

So those are some things. I'm sure there are lots of other things to consider; this is, at least, a start. Finally, a few things that don't help the book, but do help the me:

Please don't expect immediate email response from me for anything short of "you promised us this interview, it runs tomorrow, where are your answers?" I normally make an effort to be a semi-competent correspondent, but with a new book on shelves, final edits due on Pocket Apocalypse, and A Red-Rose Chain in need of finishing, a lot of things are falling by the wayside. Like sleep.

Whee!
seanan_mcguire: (wicked)
2014-04-22 11:38 am

Why my music is only available in CD form.

This question has been coming up a lot recently, so I thought I'd take a moment to address it in a central place that people could be pointed to. Specifically:

"Why can't I buy your music on iTunes/Band Camp/Amazon MP3/whatever?"

Sometimes the question takes the form of "I have gone all-digital, why do I have to buy a physical CD?", but those are basically the same thing, since "Why can't I buy..." is the flip side of "Why do I have to buy...". And here is my answer:

I will never, barring the closure of all the CD manufacturing companies, be selling my music digitally. If you want to own my music, you will need to either buy and rip a physical CD, or pirate it. I would obviously prefer the former, but since some of my CDs are out of print, I'll understand if you go for the latter.

Why?

Two big reasons. These are...

It's a hobby.

I am not a professional musician. Even if I sell every single copy of every single CD at full "retail price," never selling through filk dealers or sites like CD Baby, I won't turn a profit. Breaking even is the most that I can hope for. Because all CDs are nothing but red ink, they don't further complicate my already incredibly complicated taxes. If I started doing digital sales, which many people view as "money for nothing," I might pass that magical line where I make a profit, and then I would have to figure out how to deal with things.

I don't take enough of a loss for my music to be a tax write-off (yet), but I also don't make any money, and that keeps things simple. If I started needing to religiously track receipts and who paid what where to who, I don't know that the carrot would remain worth the stick for me.

The digital divide exists.

I feel as strongly about physical CDs as I do about physical books. The ability to release things digitally is amazing for people who can't afford a print run, or are doing something incredibly focused, or just want to get themselves out there. I can afford a print run; I have an audience; I am as out there as I need to be. And people like my mother, who doesn't own an MP3 player, and who listens to all music via her CD player, still exist.

Because of the costs of production, I can only afford to produce physical CDs when I'm sure that I'll be able to sell them. If 50% of my audience went to digital downloads, I'd wind up with a lot of unsold CDs, and again, would not be able to justify producing more. And for me, that would be the end of it. I'm not going to pay for recording and mixing and mastering and not have something in my hands when I'm done. I can't afford to produce CDs in units of less than 1,000—and with full "to get this, you must buy physical" buy-in, it still took four years for Stars Fall Home to sell out.

Cover songs.

None of my cover song licenses include digital rights. All my albums would be missing pieces if I put them up for digital download.

And so...

I know that this can create bottlenecks. I know that physical disks come with shipping costs, and that sometimes vendors run out. I know that I'm losing business. These are choices that I made, for the reasons listed above, and while they may be wrong choices, they are mine, and I'm sticking with them.

Thank you.
seanan_mcguire: (hor)
2014-03-04 07:33 am

It's my bookday! Happy bookday!

As of today, Half-Off Ragnarok is officially available from bookstores all over North America, and from import stores all over the world. It's been spotted in the wild from California to New York, with several points between also chiming in to let me know that they've got copies. Hooray!

Since it's release day, I figured it was time to once again answer the wonderful people asking how they can help. So here are a few dos and don'ts for making this book launch awesome.

DO buy the book as soon as you can. Sales during the first week are very important—think of it as "opening weekend" for a movie—but they're not the end-all be-all. If you can get the book today, get the book; if you can get it at my book release party, get it at my book release party. Whatever works for you. Brick-and-mortar store purchases are best, as they encourage reordering. If you've already bought the book, consider buying the book again, as a single copy might get lonely. They make great gifts!

DON'T yell at other people who haven't bought the book yet. I know, that's sort of a "why are you saying this?" statement, but I got a very sad email from a teenager who'd been yelled at for not buying A Local Habitation the week that it came out. So just be chill. Unless you want to buy books for people who don't have them, in which case, don't yell, just buy.

DO ask your local bookstore if they have it on order. If your local store is part of a large chain, such as Barnes and Noble, the odds are good that the answer will be "yes," and that they'll be more than happy to hold one for you. If your local store is small, and does not focus specifically on science fiction/fantasy, they may have been waiting to see signs of interest before placing an order. Get interested! Interest is awesome!

DON'T berate your local bookseller if they say "no." Telling people they're overlooking something awesome doesn't make them go "gosh, I see the error of my ways." It makes them go "well, I guess it can be awesome without me." Suggest. Ask if you can special-order a copy. But don't be nasty to people just because their shelves can't hold every book ever written.

DO post reviews on your blog or on Amazon.com. Reviews are fantastic! Reviews make everything better! Please, write and post a review, even if it's just "I liked it." Honestly, even if it's just "this wasn't really my thing." As long as you're being fair and reasoned in your commentary, I'm thrilled. (I like to think you won't all race right out to post one-star reviews, but if that's what you really think, I promise that I won't be mad.)

DON'T get nasty at people who post negative reviews. You are all people. You all have a right to the ball. That includes people who don't like my work. Please don't argue with negative reviewers on my behalf. It just makes everybody sad. If you really think someone's being unfair, why don't you post your own review, to present an alternate perspective? (Also, please don't email me my Amazon reviews. I don't read them, I don't want to read them, and I definitely don't want to be surprised with them. Please have mercy.)

DO feel free to get multiple copies. No, you probably don't need eight copies for your permanent collection, but remember that libraries, school libraries, and shelters are always in need of books. I'm donating a few of my author's copies to a local women's shelter, because they get a lot of women there who really need the escape. There are also people who just can't afford their own copies, and would be delighted. I wouldn't have had half the library I did as a teenager if it weren't for the kindness of the people around me.

DON'T feel obligated to get multiple copies, or nag other people to do so. Seriously, we're all on budgets, and too much aggressive press can actually turn people off on a good thing. Let people make their own choices. Have faith.

DO check with your local library to be sure they have a copy of on order. If they don't, you can fill out a library request form. Spread the paperback love!

DON'T forget that libraries need books. Many libraries, especially on the high school level, are really strapped for cash right now, and book donations are frequently tax deductible. If you have a few bucks to spare, you can improve the world on multiple levels by donating books to your local public and high school libraries.

DO suggest the book to bookstore employees who like urban fantasy. Nothing boosts sales like having people in the stores who really like a project. If your Cousin Danny (or Dani) works at a bookstore, say "Hey, why don't you give this a try?" It just might help.

DON'T rearrange bookstore displays. If the staff of my local bookstore is constantly being forced to deal with fixing the shelves after someone "helpfully" rearranged things to give their chosen favorites a better position, they're unlikely to feel well inclined toward that book—or author. It's not a good thing to piss off the bookstores. Let's just not.

So those are some things. I'm sure there are lots of other things to consider; this is, at least, a start. Finally, a few things that don't help the book, but do help the me:

Please don't expect immediate email response from me for anything short of "you promised us this interview, it runs tomorrow, where are your answers?" I normally make an effort to be a semi-competent correspondent, but with a new book on shelves, final edits due on Pocket Apocalypse, and A Red-Rose Chain in need of finishing, a lot of things are falling by the wayside. Like sleep.

Please don't ask me when book four is coming out. I may cry. Plus, the answer is March 2015.

Whee!
seanan_mcguire: (indexing)
2013-09-25 11:54 am

Please remember...

...that I have already answered the majority of the questions about Indexing in this entry, and will not answer them again.

The only question I've received multiple times which is not addressed in that entry is "Will there be a season two?" The answer to that is "I still don't know." It'll be influenced by a lot of things, including how well season one sells, so...tell your friends, I guess, if you want to see more adventures of the ATI Management Bureau.

That is all.
seanan_mcguire: (knives)
2013-08-22 10:12 am

Where do I find out what's coming? A quick guide.

I get asked, a lot, about what I have coming out. Where can it be found, where is the schedule, has something been published, has something been sold. Which is incredibly flattering, honestly—what author doesn't want to have people beating down her door to find out where they can get more stories?—but can also lead to that thing where I have answered the same question ten times and now it's just upsetting and I'm starting to doubt my own answers. So here is your quick and dirty guide to finding out what I have coming up:

Stop #1: The Bibliography.

The bibliography on my website is located here:

http://seananmcguire.com/other.php

It lists every book, short story, and essay I have published, all curated into the appropriate sections. Note that, for the most part, this only includes things that are already available; upcoming releases are unlikely to be listed, unless they are novels being released within the next three months. The bibliography is updated every time something is released, so it's always up-to-date. Indexing is not currently listed, because there is no "serials" category; I'm still trying to figure out how to deal with that.

Stop #2: Inchworm Girl.

The best place to find out about upcoming publications is here:

http://seanan-mcguire.livejournal.com/tag/inchworm%20girl

This is the tag where I post my rolling "upcoming" list, and includes release dates whenever possible. Some things, especially novels, may appear on this list for some time before they move to the bibliography.

Stop #3: The Lost Children.

"But wait," you cry, "what about...? I saw it on the Current Projects list!"

Sadly, the answer is "if it is not on either the bibliography page or listed in the inchworm girl with a release date, it does not have a release date." That could mean it's out on submission. That could mean it's currently benched while I deal with other things. Or it could mean that it has been sold but not yet announced, which puts me effectively on radio silence. And here's the real problem:

I can't tell you which it is.

If you ask about something that's not in one of those two places, I will not discuss its status with you. I will say "yes, I wrote that," and move on. Pressuring me for details will just frustrate us both, because you won't get what you want and I'll feel like my boundaries aren't being respected. I actively want to publish everything, because let's face it, that's how I pay the bills, but this is a very long game.

I hope this helps; I'd like everyone to be able to find everything. There's a lot of everything to find.
seanan_mcguire: (zombie)
2013-06-02 11:04 am

Limited editions: a clarification and a reminder.

I have appeared in two limited edition books from Subterranean Press: A Fantasy Medley 2, which featured my Tybalt-centric novella, "Rat-Catcher," and When Will You Rise?: Stories to End the World, which features "Countdown" and "Apocalypse Scenario #683: The Box." ("Apocalypse Scenario" is not set in the Newsflesh universe, by the way; it's part of my mad science triptych, along with "The Tolling of Pavlov's Bells" and "Laughter at the Academy.")

A Fantasy Medley 2 is now out of print. Very, very out of print. "The signed edition is selling for upwards of a thousand dollars on Amazon" out of print. I do not have copies for sale. I don't generally sell author's copies of anything, because I am not a store, but in this case especially, I didn't receive enough copies to do anything like that. There is no ebook edition, and right now, because I am still under contract for the physical book, I don't have the option to post the story as a free download. Eventually, it will either be reprinted or posted to my short fiction page, depending on how things go, but for the moment, I just don't have the authority. (Most short fiction contracts come with an "exclusivity" clause which guarantees an author won't sell the same thing to thirty markets at once.)

There are some copies of the basic, non-signed edition of A Fantasy Medley 2 currently available on Amazon, starting at about $15. If you're really, really desperate to read "Rat-Catcher" without buying from Amazon, you might want to consider getting a supporting membership to this year's Worldcon. Yes, $60 for one novella is a lot, but you don't just get one novella: you get the entire Hugo Voter's Packet, which is way awesome and packed with goodness.

When Will You Rise?: Stories to End the World is not out of print...yet. But it is a limited edition of 1,000 copies, and I know that a lot of those have been sold. You can find details on the book here. It's a really gorgeous piece of work, with incredible illustrations throughout. And, speaking candidly...I really enjoyed doing this book, and I'd love it if the sales supported Subterranean doing another. So I'm very much in favor of people buying copies for their very own. Both stories included in When Will You Rise? are available through the Orbit Short Fiction Program, so you won't have the same issues getting your hands on them (at least for right now), but this is currently your only option for seeing those stories in physical form.

Hope this clears things up a bit!

(The Velveteen vs. books are also limited printings, although in this case, the publisher has the option to print more if the first print run sells out. So it's not as much of an immediate concern, although naturally, I think everyone should own these books in their own homes, to avoid them somehow magically ending up in mine.)

ETA: Updated some availability notes, as Amazon once again has the basic A Fantasy Medley 2 available for order. Hooray!
seanan_mcguire: (indexing)
2013-05-30 09:25 am

A few questions about INDEXING, answered.

The first episode of Indexing (check this link for more details) has now been out for a little over a week. Response has been generally positive, which makes me very happy, but there have been a few recurring questions, so I figured I'd take a moment to answer them.

1. Can I get Indexing for my Nook/in the iBookstore/for any format other than Kindle?

No.

I'm not trying to be harsh: it's just that this particular question has a very simple answer. Indexing was commissioned by 47North for the Kindle Serials Program; "Kindle" is right there in the name. While I am historically opposed to "format exclusives," I am okay with this one for two major reasons. One, the project would not have been possible if not for 47North saying "we want this for the Kindle, we will pay you to write it." Two, there will be a World English print edition in December, meaning that even those of us who don't us Kindles will get the opportunity to read it. It's just going to take a little longer.

2. Isn't this just going to increase piracy?

Probably. But I really do hope that anyone who chooses to pirate the serial because they don't use the Kindle will then buy the finished print edition, because I really, really enjoy feeding my cats.

3. Didn't I read this like, four years ago?

The serial novel Indexing is based on a revised and expanded version of the short story "Indexing," which originally appeared on the Book View Cafe in September 2009. The original story is no longer available online, and has not been collected in any print volumes.

4. Why can't I buy this outside the US?

The Kindle Serial Program is currently US-only, which means that the biweekly installments are only available to United States residents/people who know how to fool their Kindles. The print edition, as noted above, is World English, and will be available wherever there is an Amazon partner site. If you have questions about why this is, please ask Amazon; I cannot help you.

5. Is the Aarne-Thompson Index a real thing?

Yes! I own one. It is my pride and joy and it is enormous and it cost a lot of money and one day Bill Willingham will pay someone to break into my house in the middle of the night so that he can claim it as his own. Sometimes I just sit and pet it for hours. It's a very helpful scholastic tool, for a folklorist, and a really great doorstop for people who don't read indexes for funsies.

6. You know Bill Willingham? Does that mean you know about how there's a Snow White in Fables?

I do, and I do, but our Snows are very different people. Snow White is what's called a "public domain character," which is how there can be so many versions of her without Disney deciding to sue us all for copyright infringement. I love her because she's a fantastic mirror to hold up to other stories. She brings the apples and the glass coffins, we bring everything else. For other awesome Snow Whites, read Catherynne Valente's Six-Gun Snow White, Neil Gaiman's Snow, Glass, Apples, and Jim C. Hines's The Stepsister Scheme. Archetypes are for everybody!

The next episode will be out this coming Tuesday, and I just finished the first draft of episode nine. I think you're going to like what's coming!

Got any more questions?
seanan_mcguire: (me)
2013-03-21 11:40 am

Ask Me Anything!

I'm doing an AMA (Ask Me Anything) tonight on Reddit. The link is here:

http://www.reddit.com/r/Fantasy/comments/1aqoy0/hello_im_seanan_mcguire_i_write_urban_fantasy_and/

We're taking questions throughout the day, and then I'll be answering them at 7PM CST tonight. Please swing by and contribute some witty, insightful, interesting questions. Or, you know, ask me about the X-Men. Whatever makes you happy.

See you tonight!
seanan_mcguire: (midnight)
2013-03-05 05:29 am

Happy bookday to me, happy bookday to me...

As of today, Midnight Blue-Light Special is officially available from bookstores all over North America, and from import stores all over the world. It's been spotted in the wild from California to New York, with several points between also chiming in to let me know that they've got copies. Hooray!

Since it's release day, I figured it was time to once again answer the wonderful people asking how they can help. So here are a few dos and don'ts for making this book launch awesome.

DO buy the book as soon as you can. Sales during the first week are very important—think of it as "opening weekend" for a movie—but they're not the end-all be-all. If you can get the book today, get the book; if you can get it at my book release party, get it at my book release party. Whatever works for you. Brick-and-mortar store purchases are best, as they encourage reordering. If you've already bought the book, consider buying the book again, as a single copy might get lonely. They make great gifts!

DON'T yell at other people who haven't bought the book yet. I know, that's sort of a "why are you saying this?" statement, but I got a very sad email from a teenager who'd been yelled at for not buying A Local Habitation the week that it came out. So just be chill. Unless you want to buy books for people who don't have them, in which case, don't yell, just buy.

DO ask your local bookstore if they have it on order. If your local store is part of a large chain, such as Barnes and Noble, the odds are good that the answer will be "yes," and that they'll be more than happy to hold one for you. If your local store is small, and does not focus specifically on science fiction/fantasy, they may have been waiting to see signs of interest before placing an order. Get interested! Interest is awesome!

DON'T berate your local bookseller if they say "no." Telling people they're overlooking something awesome doesn't make them go "gosh, I see the error of my ways." It makes them go "well, I guess it can be awesome without me." Suggest. Ask if you can special-order a copy. But don't be nasty to people just because their shelves can't hold every book ever written.

DO post reviews on your blog or on Amazon.com. Reviews are fantastic! Reviews make everything better! Please, write and post a review, even if it's just "I liked it." Honestly, even if it's just "this wasn't really my thing." As long as you're being fair and reasoned in your commentary, I'm thrilled. (I like to think you won't all race right out to post one-star reviews, but if that's what you really think, I promise that I won't be mad.)

DON'T get nasty at people who post negative reviews. You are all people. You all have a right to the ball. That includes people who don't like my work. Please don't argue with negative reviewers on my behalf. It just makes everybody sad. If you really think someone's being unfair, why don't you post your own review, to present an alternate perspective? (Also, please don't email me my Amazon reviews. I don't read them, I don't want to read them, and I definitely don't want to be surprised with them. Please have mercy.)

DO feel free to get multiple copies. No, you probably don't need eight copies of One Salt Sea for your permanent collection, but remember that libraries, school libraries, and shelters are always in need of books. I'm donating a few of my author's copies to a local women's shelter, because they get a lot of women there who really need the escape. There are also people who just can't afford their own copies, and would be delighted. I wouldn't have had half the library I did as a teenager if it weren't for the kindness of the people around me.

DON'T feel obligated to get multiple copies, or nag other people to do so. Seriously, we're all on budgets, and too much aggressive press can actually turn people off on a good thing. Let people make their own choices. Have faith.

DO check with your local library to be sure they have a copy of on order. If they don't, you can fill out a library request form. Spread the paperback love!

DON'T forget that libraries need books. Many libraries, especially on the high school level, are really strapped for cash right now, and book donations are frequently tax deductible. If you have a few bucks to spare, you can improve the world on multiple levels by donating books to your local public and high school libraries.

DO suggest the book to bookstore employees who like urban fantasy. Nothing boosts sales like having people in the stores who really like a project. If your Cousin Danny (or Dani) works at a bookstore, say "Hey, why don't you give this a try?" It just might help.

DON'T rearrange bookstore displays. If the staff of my local bookstore is constantly being forced to deal with fixing the shelves after someone "helpfully" rearranged things to give their chosen favorites a better position, they're unlikely to feel well inclined toward that book—or author. It's not a good thing to piss off the bookstores. Let's just not.

So those are some do's and don't's. I'm sure there are lots of other things to consider; this is, at least, a start. Finally, a few things that don't help the book, but do help the me:

Please don't expect immediate email response from me for anything short of "you promised us this interview, it runs tomorrow, where are your answers?" I normally make an effort to be a semi-competent correspondent, but with a new book on shelves, final edits due on Half-Off Ragnarok, and The Winter Long in need of finishing, a lot of things are falling by the wayside. Like sleep.

Please don't ask me when book three is coming out. I may cry. Plus, the answer is March 2014.

Whee!
seanan_mcguire: (midnight2)
2013-02-24 03:57 pm

InCryptid Q&A, Part VI: Breeding.

So remember when I said that I would answer ten questions about the InCryptid universe? I'm still taking questions, and actively need questions that follow the "big, about the world" model as described in the original post, but here's your sixth answer!

[livejournal.com profile] rianax asks...

"If they can't interbreed with humanity, how to these different species met up and have children in the modern world? Is there a cryptid Cupid.com?"

Yay, cryptid breeding! We're going to restrict ourselves to a very anthrocentric approach, for the sake of answering the question as posed: we're only looking at cryptids that can, for one reason or another, live in human settlements. The ones who can "pass," in other words. They're both the ones who are most likely to have issues with humans seeming attractive, and the ones who will have the most "I need to know your species before we can hook up" problems.

Some of these cryptids get around the "accidentally dating humans" issue by not being mammals. For the most part, humans smell "wrong" to them, and are hence not attractive. You do get occasional perverts who like mammal boys or insect girls instead of sticking with good, honest reptile people like their siblings, but for the most part, people are attracted to things they have half a chance of being biologically compatible with. (Science supports me on this.)

A few species of cryptid are cross-fertile with humans. A very few species, and most of them will still choose not to crossbreed, because there's a very good chance their offspring will be infertile, which doesn't help keep the family line going. Lilu, which includes both incubi and succubi, are cross-fertile, and their offspring have a fifty percent chance of being infertile. Fertile crossbreeds will usually have children that are indistinguishable from the species of their mate. So if Elsie, who is half-succubus, were to visit a sperm bank and get some human sperm, she would have a baby who was effectively a very sexy human, rather than a succubus crossbreed. Jinks and leprechauns are similar, and many family links have a little jink or leprechaun blood.

Tanuki are the only known species of therianthrope to be cross-fertile outside of other therianthropes, and they manage this partially by having lots and lots of tanuki babies. As with certain types of frog (no, seriously, science again), they have evolved extremely dominant DNA. If Ryan were to mate with Istas, you wouldn't get half-waheela babies, you'd get unusually colored tanuki. Even when there were more of them, they would often seek out-species mates to get hybrid vigor back into the community. Sorry about what that does for your family line, dearest.

There are dating services for some species of cryptid, ranging from the very communal "let me introduce you, he's a nice boy" social dances of the bogeymen to the more formal courting rituals of the gorgons. There are very few true solitaries, and almost everyone knows where everyone else is. And yes, some of this happens on the internet, although it has to be very carefully masked and monitored; the Covenant can log on, too.
seanan_mcguire: (midnight2)
2013-02-22 11:16 am

InCryptid Q&A, Part V: An Outcast's Prayer.

So remember when I said that I would answer ten questions about the InCryptid universe? Well, I'm still taking questions, but here's your fifth answer!

[livejournal.com profile] ladymurmur asks...

"I'm not asking for calendar of holidays, but instead have a logistical ponderment - For how many generations to the Aeslin keep their holidays? when the colonies branch off, and begin creating their own new holidays, do the new holidays begin overwriting or supplanting the old holidays so that there is only one or just a few on any given day? Or do they stack, becoming almost an "on this day in history" sort of situation? If there are multiple celebrations on one day, are the celebrated concurrently? consecutively? Do colonies ever rejoin each other, or cross-pollinate in some fashion (an Aeslin exchange program?) and thus share holidays? or are the new colonies more like religious schisms, and ne'er the twain shall meet?"

I decided that I would answer one question about the Aeslin mice this round, because while I love them, they're sort of like bacon: a little bit can go a very long way, and we're way too early in the series to be risking mouse burn-out. This one offered the most opportunities to stick knives into people, so...you're welcome, I guess.

First off, there's a major underlying assumption buried in this question: the assumption that colonies branch off. They used to, but that doesn't happen anymore, because branching really happens only when the population gets too large for the space and resources available. The colony of Aeslin mice currently living with the Price family is the last known Aeslin colony in the world. The elders control birth rates and expansion very carefully, and pray for the younger generation of Prices and Price-Harringtons to marry and settle in homes of their own, because they're trying to avoid an actual schism; they know very well that any groups that leave the family home are extremely unlikely to survive. At the same time, if a schism becomes unavoidable before a new attic or basement or guest bedroom becomes available to them, the schisming mice will no longer exist from the perspective of the colony. Reject the colony, you reject the colony's gods. Reject the colony's gods, reject the colony's way of life. Reject the colony's way of life, you are no longer my child.

Aeslin mice are pathologically religious. They can't fight the urge to worship. It's tied to their survival instincts; while a colony that worships a cat is likely to be eaten, a colony that worships a tree will have a stronger tendency to stay together and stay safe, because they need to be healthy to properly tend to the needs of their god. They're capable of teamwork and very complicated thought, but they're still mice. Talking mice. The Covenant wiped them out easily as sports of nature and demonic imps. People who found them in their homes captured them and sold them to circuses or traveling shows. Cats, dogs, foxes, snakes...it's a big, scary world for an Aeslin mouse, and it's entirely possible that the colony found by Caroline Davies, mother of Enid Davies (later Enid Healy), was the last one there was. She saved them. She gave them something to believe in.

She gave them her family.

Now, on to the more time-based questions. "For how many generations do the Aeslin keep their holidays?" For as many as they keep their faith. If they worship a tree, then hundreds of generations could pass before their god withers and dies. If they worship a mayfly, they'll need a new god by the end of the summer. The Price family Aeslin still celebrate the Sacred Ritual of I Don't Care What You Say, They're Harmless Little Things and They Need a Home, They're Not Monsters, They're Mice, better known to the family as "the day Great-Great-Great-Grandma Caroline found the mice in the barnyard." Nothing is ever forgotten. Nothing is ever forgotten. To forget anything would be to shame the gods, and to be less than Aeslin.

The Aeslin calendar does not exactly match the human calendar; it has more months, for one thing, and the number seems to increase periodically, although no one human understands how or why that happens. While the feast days and celebrations will always match up to their original places on the human calendar, how often they are observed is determined by a number of factors, including their place on the Aeslin calendar, how resource-intensive the observation is, and how much they like the festival. (The Festival of Giving a Mouse a Cookie, way more popular than The Remembrance of the Violent Priestess, Who Never Learned to Be Careful.) They can, and will, perform any liturgical rite on request, but when they come around naturally doesn't follow a human logic pattern.

The mice who travel with Verity, Alex, and the others aren't considered new colonies; they're still part of the central colony, and will remain so for as long as they share gods. The mice very much enjoy coming back together to consolidate their observances of the family, share rituals, and remind themselves that they are still united.

As long as there are Prices, there will be Aeslin.

The same is not quite as certain in reverse.
seanan_mcguire: (midnight2)
2013-02-20 08:10 am

InCryptid Q&A Part IV: City Living is the Life for Me.

So remember when I said that I would answer ten questions about the InCryptid universe? Well, I'm still taking questions, but here's your fourth answer!

[livejournal.com profile] geekhyena asks...

"A clarification of my earlier comment (since I realized I didn't word it as clearly as I had intended): Why do some cryptids from very reclusive/rural-oriented and/or endangered species (such Waheela/Gorgons/etc) choose to live in cities, as opposed to others of their species? Herd immunity (so to speak)? Cultural reasons? Genuinely curious here. (As to how Istas got involved with the Goth and/or Lolita subculture(s) )"

Well, first off, I'm not going to tell you how Istas got involved with the Goth and/or Lolita subcultures. If you look at the original post (which I'd like you all to do, since I need to do six more of these Q&A posts before the book comes out), you'll see the bit where I said "no spoilers." That applies to "how did character X wind up in situation Y" questions, since hey, I may want to write that someday. You'll like it better if I'm allowed to think about it longer, I promise.

Which brings me to the core question of "why do some cryptids who aren't considered specifically urban, like bogeymen (who hate living in the country), sometimes choose to live in cities?" Well!

First off, we have to remember that sapient cryptids, while not human, are still people, and every person is different. Istas is a serious social butterfly, for a waheela. Ryan is considered a little stand-offish, for a tanuki. Sarah is remarkably pleasant and non-destructive, for a cuckoo. And so on, and so on. You can make blanket statements about a species, like "waheela are generally territorial" and "tanuki generally live in family groups," but those will never be universal, any more than "humans are often suspicious and aggressive" applies to every single member of the human race. For someone like Istas, who actually likes things like fashion, cooked food, shoes, and having conversations with people she's not about to eat, living in the frozen Canadian tundra is just this side of hell. For a normal waheela, living in Manhattan would be just as bad.

Secondly, we have to remember that cities offer some opportunities that country living just doesn't, especially now that the world doesn't really believe in barter economies. If you belong to a species that can "pass" for human during part or all of your life, spending a few years in Orlando working at Disney World and sending money home to the rest of the family is just the sensible, responsible thing to do. Think of it as the cryptid equivalent of the popular interpretation of the Amish rumspringa: go to the city, live and work among the humans, figure out how dangerous and frightening they are, come home where no one's going to skin you and wear you as a fashionable coat.

It's surprisingly easy to be reclusive in the big city. In a small town where everybody knows your name and notices if you don't show up to check your PO Box on Wednesday afternoon, you're going to have a lot of trouble explaining where you went for those two months when you were hibernating. In San Francisco or Chicago, as long as your bills are paid, you can probably get away with it. Also, just like some humans don't like people but do like tigers/alligators/gorillas/whatever, some cryptids don't like their own species, but do like humans, regarding us as adorable and bizarre at the same time, and hence enjoy spending time with us, while still considering themselves "isolated" and "alone."

Finally...where else are they supposed to go? It's increasingly hard to live in a little house in the middle of a deep, dark forest without worrying that you're going to have a Wreck-It Ralph eminent domain situation on your hands. Much like most humans can't imagine going back to living with outhouses and no electricity and shoes only on special occasions, most sapient cryptids aren't overly excited by the "go live in a cave already" concept. There are rural cryptids, and cryptids who survive quite happily in places that humans still regard as uninhabitable, but for all the ones who evolved and adapted to climates similar to the humans around them, it's cities or suckage. So they choose cities. It's not their favorite option; thanks to us, it's the one that they have.
seanan_mcguire: (midnight2)
2013-02-18 09:21 am

InCryptid Q&A, Part III: Race and gender issues.

So remember when I said that I would answer ten questions about the InCryptid universe? Well, I'm still taking questions, but here's your third answer!

[livejournal.com profile] professor asks...

"Given that the Covenant is a centuries-old organization that worships tradition and conformity, how do gender and racial identity politics within the Covenant work?"

I find it interesting that when we hear the phrase "hide-bound" or "traditional" in reference to an organization like the Covenant, whose stated mission is killing monsters, we immediately assume that they must be an organization completely dominated by white cisdudes. And I'm including myself in that "we": when I first started working on the organizational structure of what would become the Covenant of St. George, it was extremely old white cisdude-centric.

At one time, that was probably an accurate view of the organizational makeup. While they are no longer particularly religious in nature, or sanctioned by any major church, they did start out with strong church ties, and the church in the Middle Ages was pretty firm on its whole "gotta be a dude with a penis to come to the party." Add in the fact that large portions of the Covenant's leadership settled in Italy, France, and the United Kingdom, and you'd get a very white cisdude party. But here's the thing: the Covenant was good at their job. They still are, as much as they can be; remember that today's cryptids are the descendents of the ones who learned to hide from the raids and the cleansings. One by one, the big flashy monsters were killed off or driven into the shadows, and it got harder to be picky.

There was a time when any village in Europe would have been proud to have a son chosen to work with the Covenant of St. George. By the late 1500s, most of those same villages considered the Covenant a fairy tale, and would never have dreamed of giving away their sons. The Covenant began doing their recruiting from people who had actually encountered cryptids, who could actually see the value in fighting against them. This meant dropping virtually all restrictions against girls serving active roles, because sometimes, it was the girls who survived.

Most of the Covenant's early female recruits provided backup and support for the field teams, having not been trained to fight before they came to the Covenant. At the time, it was not standard within the Covenant for all recruits to receive field training. This changed in the mid-1600s, following the last successful attack on a Covenant stronghold. Half the support staff were killed, as were most of the children currently being housed in that location. After that, it became a prerequisite that all recruits learn to fight, even if they were not constitutionally equipped for field positions.

Resistance to women in the field continued for quite some time, although it had less to do with "women can't handle it," and more to do with "we're not really a powerful political or religious force anymore, and we don't want our male operatives arrested for traveling with women they're neither related to nor married to." Field team marriages became very common, because it was a way for women to get "out of the office" and out doing what they did best. Killing stuff. By the mid-1800s, women had a completely equal voice in Covenant activities.

If this seems like it took a really long time, please compare it to real-world history. The Covenant was surprisingly enlightened, largely out of necessity.

But that only addresses female equality, not race or gender identity. Race was actually addressed somewhat earlier, when the Covenant followed the various explorations, Crusades, and invasions of the rest of the world, either forming or making contact with similar groups around the world. Most local groups were sadly largely absorbed into the Covenant, because the Covenant had the resources and the manpower to make joining forces seem appealing. Those who weren't absorbed are still considered part of the Covenant today, and are not spoken of much outside the regions where their methods dominate. And here's the thing: since the Covenant, and its sister organizations, focused so strongly on "humans first," they didn't bother as much with racial divides. There would be time for those later, when the monsters were all gone. To be fair, if the Covenant had successfully wiped out the monsters in the 1600s, they would probably have turned around and started ethnic cleansing. But they didn't, and they didn't, and they wound up a fully integrated organization by the mid-1800s. They understand racism, and will use it to their advantage when possible, but the Covenant as an institution does not tolerate racial discrimination. Humans gotta stick together.

Sexuality and gender identity are harder, in part because the Covenant relies on "legacy children" for so much of its membership. You're really expected to have kids if you possibly can. While this isn't a law or anything, you'll get a lot of the "Have you tried not being a ________?" routine, especially if you were already slated for inclusion in the breeding program. But at the end of the day, again, they need trained members more than they need to be prejudiced, and have been QUILTBAG inclusive since the early 1900s.

Seriously, there was a time—a long time—where if you were a strong-willed woman who wanted to make your own choices, a gay, lesbian, bisexual, or transsexual teen, or of any race that didn't match the locally dominant racial type, the Covenant was your best route out of that life. If you heard about them, if you heard that they could save you, you took that chance. And the people who took that chance tended to become very loyal, because they were given lives that they could otherwise have only dreamt of.

The modern Covenant is very enlightened, except for the part where anything that isn't human is a monster. There's no room for discussion on that front. And really, that's the problem.
seanan_mcguire: (midnight2)
2013-02-13 10:47 am

InCryptid Q&A, Part II: Cuckoo to you too.

So remember when I said that I would answer ten questions about the InCryptid universe? Well, I'm still taking questions, but here's your second answer!

[livejournal.com profile] ashnistrike says...

"I'm going to deviate from all the Aeslin obsession above and admit to a cuckoo obsession (much less healthy). When I see something like this—a species that has almost all gone mad around their basic biological set-up—my assumption is that at one point they were more sane and adaptive, and something changed in their environment so that once-adaptive characteristics led to problems. And yes, I realize that they are still adaptive in the purely biological sense in spite of being sociopaths. But it still seems likely that they haven't always been that way. So, question—what's the original environment in which their parasitic telepathy evolved? What changed? Were they ever less completely destructive to their hosts? Symbiotic? Have they ended up, as parasites often do, in biological/telepathic arms races with other cryptid species?"

YAY I GET TO TALK ABOUT JOHRLAR YOU'RE ALL GOING TO BE SORRY!!!!

...ahem.

So the cuckoos are more properly called "Johrlac" (species name Johrlac psychidolos), and they are not from around here. I would call this a spoiler, since it hasn't come out in the series proper yet, but it's something that I talk about on panels, and it's something that anyone who's performed any sort of physiological examination of a cuckoo has probably guessed. Still, your personal perspective on spoilers may make this sensitive information, so I'm going to cut-tag.

Here be dragons. Worse yet, here be cuckoos. Proceed at your own risk. )
seanan_mcguire: (knives)
2012-12-10 09:54 am

Begging and pleading.

So it's the holidays; I have multiple books due, and I'm blocking out my time for 2013 in regards to conventions, short story commitments, and taking time to breathe; my cats still need to be snuggled occasionally so that they'll keep letting me get out of bed. So I am offering this fervent plea to the universe:

Please, please, before you ask me questions, either here or via my website contact form, go to my website (www.seananmcguire.com) and check the Bibliography and/or FAQ pages.

Need to know when something is being published, if something is being published in the next few months, or whether something has already been published? There's a Bibliography for that (http://seananmcguire.com/other.php). It's updated with works up for four months out.

Have a question about a possible typo or error, or where I'm going to be, or who Jane is in "Wicked Girls"? There are multiple FAQs, specializing in different types of question. Please check to see whether I have already provided an answer before asking.

I love talking to people, I love answering comments, but when I've already answered the same question thirty times, I just get frustrated and tired.

Please.
seanan_mcguire: (coyote)
2012-05-10 10:37 am

Why can't I buy ebook X outside of the US? Revisiting the territory question.

Once again, people have started asking "Why can't people outside the US buy the e-book edition of X?" (In this case, X = any given work that is unavailable in a specific region. Most often Blackout, since it's new, and "Countdown," since it currently lacks a physical edition, but almost everything has fallen into this category at one point or another.)

The answer is pretty simple.

Basically, when I sign a contract with a publisher, they acquire certain territorial rights. This is distinct from my copyrights, which are always mine and never sold. DAW owns the World rights for Toby and InCryptid. Orbit owns the World English rights for Newsflesh. DAW and Orbit may then sublicense these rights to other publishers in other regions (or territories), which is how you get things like Winterfluch and Feed: Viruszone (German editions of Rosemary and Rue and Feed, respectively).

The pieces I have sold to the Orbit Short Fiction Program ("Apocalypse Scenario #683" and "Countdown") were sold under a contract which, at present, covers only US territorial rights, which means that my publisher can't make those properties available outside the United States right now. They aren't allowed. And buying the rights for every possible market, in every possible region, is not always financially feasible with every work they publish.

It is also not always financially feasible for an author to sell all the rights to their work in every territory to the US publisher. Keeping World rights may mean a lower advance, but when I do retain those rights, I can ultimately earn more for them by selling them directly to foreign publishers. I want you to have and read my books in your preferred format, but I also want to pay my bills, and foreign rights sales enable me to do that reliably.

Orbit is working on making the short fiction pieces available outside the US; if you check the Short Fiction landing page, they note the problem exists, and that they're looking for a solution. Under my most recent contract with them, they now have the right to sell or license English language editions outside the US, which means that you'll hopefully be able to read it soon.

It's mildly annoying that it works this way, just like it sucks when I can't get the British or Australian TV shows I want on the right region format immediately. At the same time, this is how I keep the lights on, and how my publishers keep being able to do what they do.

ETA: This post has been pretty dramatically revised, following some clarification from smarter people than me. So if some of the comments seem to make no sense compared to the content of the entry, that's why. Sorry to confuse!