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My beloved Chuck Wendig (he upon whose shoulder I ride always, invisible, intangible, and whispering horrible profanity into the jellyfish-like ridges of his ear) made a post about book piracy yesterday, declaring today, February 6th, International Please Don't Pirate My Book Day. He asked people to post about their experiences with piracy. And as I am an amiable blonde, I am posting.
I've talked about book piracy before, and at the end of the day, it really does come down to a pretty simple statement for me: I don't like it. It makes me uncomfortable, and it makes me sad, and it makes me feel like the hours I spend working hard to write good stories would be better spent doing something else, like say, watching Criminal Minds. I do recognize that piracy is a huge, complicated issue, and that no one is innocent, because everyone who exists in the modern media world has committed some act of digital piracy, whether intentionally or accidentally.
Books are a luxury item. When I was a kid below the poverty line, if I'd had access to book torrent sites and an e-reader, I can guarantee you that I'd have been one of the biggest pirates around, making me the biggest hypocrit around. And those authors would not have been losing sales, because my money was never on the table to begin with; I didn't have any money. Instead, they would have been gaining my undying loyalty, and I grew up into an adult with a passion for owning things. I love owning things. I want to own all the books I love, so that I can stroke them and loan them to people and yes sometimes, give them away when somebody loves them more than me. (No, Bill, this does not apply to any of my folklore collections.) But I am not the norm. My housemate hates owning things, and if he hadn't been conditioned that free books come from the library, not the internet, I think we would have a very different set of things to fight about.
But you know what? "I'm sorry I downloaded your book, I couldn't afford it" sounds very different coming from the teenager in tatty jeans than it does coming from the thirty-something fan with a Starbucks in their hand (and I have heard this statement from both these people). There's a point at which we have to make choices about our luxury items, and sadly, those choices sometimes involve going without. My book or your fancy coffee: please choose, and don't tell me you chose "ENJOY ALL THE THINGS" when it meant that your choice didn't help me feed my cats.
It's funny, but for a culture that's obsessed with wealth and fame, we view money as somehow crass. I love money. I am terrified of slipping back into poverty; terrified enough that I sometimes have trouble remembering that I can afford to buy brand-name cereal. I didn't become a writer for the love of money, but it's the need for security that's kept me working two jobs. I write four books a year. I write a lot of short fiction. I put in, easily, forty hours a week at my keyboard, and that's after I spend forty hours a week at my day job. I pray to the Great Pumpkin that my books will sell, because I want to get out of that day job, I want to spent sixty hours a week at my keyboard and have twenty hours to do stupid shit, like sleeping. And no, it's no one's responsibility to pay my bills but me; I have to do that. I have to make my budget and live within it, and while the things I'm most likely to share with the internet (dolls! Disneyland!) can seem financially silly, I assure you, they happen after I pay the power bill.
If I wanted to write for free, I would have stuck with fanfic, where I was paid in a loose publishing schedule (I.E., "whenever I wanted to post") and with immediate, unrelentingly positive comments, because no one wants to stomp on a fanfic author. I became a professional author to get a wider audience, to share my work with more people, to be someone else's Stephen King (the way Stephen King was mine), and yes, to get paid. I do a job, I really, really enjoy getting paid for it. And yet I see more outrage over someone not tipping their waitress than I do over someone not wanting to pay an author.
(It's horrifying that we pay restaurant staff under minimum wage because "they'll make it up with tips." When you add up the time it takes to write, revise, edit, polish, and promote a book, many authors also make below minimum wage.)
So please, don't pirate my books. When you buy them, you feed my cats and you pay my bills and you let me sleep a little easier and you keep me sitting down at the keyboard, ready to slam out another story. And if you really feel you have to pirate my books, if your situation is such that you can't buy things and this is the only joy you have, please buy them later, when you can, even if you're not normally a re-reader. Please make it possible for me to keep doing this job. I am a human too, and I could really use the help.
I will close with a quote from Chuck:
"If you find that some component of the books doesn’t work for you—some kind of DRM or issues of access, I might suggest pirating the book but then paying for a physical copy. And then taking that copy and either using it to shore up a crooked table or, even better, donating it or passing it along to a friend. Don’t donate directly to me; my publisher helped make my books exist. Publishers catch a lot of shit for a lot of shit. Some of it is deserved. But the truth is, my books—and most of the books you’ve loved in your life—are due to the publishers getting to do what they do. They’re an easy target but they deserve some back-scratchings once in a while."
Thank you.
I've talked about book piracy before, and at the end of the day, it really does come down to a pretty simple statement for me: I don't like it. It makes me uncomfortable, and it makes me sad, and it makes me feel like the hours I spend working hard to write good stories would be better spent doing something else, like say, watching Criminal Minds. I do recognize that piracy is a huge, complicated issue, and that no one is innocent, because everyone who exists in the modern media world has committed some act of digital piracy, whether intentionally or accidentally.
Books are a luxury item. When I was a kid below the poverty line, if I'd had access to book torrent sites and an e-reader, I can guarantee you that I'd have been one of the biggest pirates around, making me the biggest hypocrit around. And those authors would not have been losing sales, because my money was never on the table to begin with; I didn't have any money. Instead, they would have been gaining my undying loyalty, and I grew up into an adult with a passion for owning things. I love owning things. I want to own all the books I love, so that I can stroke them and loan them to people and yes sometimes, give them away when somebody loves them more than me. (No, Bill, this does not apply to any of my folklore collections.) But I am not the norm. My housemate hates owning things, and if he hadn't been conditioned that free books come from the library, not the internet, I think we would have a very different set of things to fight about.
But you know what? "I'm sorry I downloaded your book, I couldn't afford it" sounds very different coming from the teenager in tatty jeans than it does coming from the thirty-something fan with a Starbucks in their hand (and I have heard this statement from both these people). There's a point at which we have to make choices about our luxury items, and sadly, those choices sometimes involve going without. My book or your fancy coffee: please choose, and don't tell me you chose "ENJOY ALL THE THINGS" when it meant that your choice didn't help me feed my cats.
It's funny, but for a culture that's obsessed with wealth and fame, we view money as somehow crass. I love money. I am terrified of slipping back into poverty; terrified enough that I sometimes have trouble remembering that I can afford to buy brand-name cereal. I didn't become a writer for the love of money, but it's the need for security that's kept me working two jobs. I write four books a year. I write a lot of short fiction. I put in, easily, forty hours a week at my keyboard, and that's after I spend forty hours a week at my day job. I pray to the Great Pumpkin that my books will sell, because I want to get out of that day job, I want to spent sixty hours a week at my keyboard and have twenty hours to do stupid shit, like sleeping. And no, it's no one's responsibility to pay my bills but me; I have to do that. I have to make my budget and live within it, and while the things I'm most likely to share with the internet (dolls! Disneyland!) can seem financially silly, I assure you, they happen after I pay the power bill.
If I wanted to write for free, I would have stuck with fanfic, where I was paid in a loose publishing schedule (I.E., "whenever I wanted to post") and with immediate, unrelentingly positive comments, because no one wants to stomp on a fanfic author. I became a professional author to get a wider audience, to share my work with more people, to be someone else's Stephen King (the way Stephen King was mine), and yes, to get paid. I do a job, I really, really enjoy getting paid for it. And yet I see more outrage over someone not tipping their waitress than I do over someone not wanting to pay an author.
(It's horrifying that we pay restaurant staff under minimum wage because "they'll make it up with tips." When you add up the time it takes to write, revise, edit, polish, and promote a book, many authors also make below minimum wage.)
So please, don't pirate my books. When you buy them, you feed my cats and you pay my bills and you let me sleep a little easier and you keep me sitting down at the keyboard, ready to slam out another story. And if you really feel you have to pirate my books, if your situation is such that you can't buy things and this is the only joy you have, please buy them later, when you can, even if you're not normally a re-reader. Please make it possible for me to keep doing this job. I am a human too, and I could really use the help.
I will close with a quote from Chuck:
"If you find that some component of the books doesn’t work for you—some kind of DRM or issues of access, I might suggest pirating the book but then paying for a physical copy. And then taking that copy and either using it to shore up a crooked table or, even better, donating it or passing it along to a friend. Don’t donate directly to me; my publisher helped make my books exist. Publishers catch a lot of shit for a lot of shit. Some of it is deserved. But the truth is, my books—and most of the books you’ve loved in your life—are due to the publishers getting to do what they do. They’re an easy target but they deserve some back-scratchings once in a while."
Thank you.
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Date: 2013-02-06 04:36 pm (UTC)Your books have been among them.
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Date: 2013-02-06 05:44 pm (UTC)(no subject)
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Date: 2013-02-06 05:14 pm (UTC)And I need to finish my Verity costume so I can wear it to Vericon!
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Date: 2013-02-06 05:22 pm (UTC)(no subject)
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Date: 2013-02-06 05:16 pm (UTC)I like to think that even if I didn't know people involved in making awesome things I still wouldn't pirate (and it's probably true with books, I like having them to pet far too much. I can't even get used to getting them in e-reader format!) but who knows? I do think it's important that people like you do speak about the effects of piracy on the smaller name authors and musicians. And I totally want you to be able to write sixty hours and sleep occasionally. ;-)
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Date: 2013-02-06 05:45 pm (UTC)no subject
Date: 2013-02-06 05:16 pm (UTC)And so does the grocery?
I'd say that, even if I weren't married to a writer, and I remember the dismissive way my wife's concerns about copyrights were treated by a well-known political blogger.
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Date: 2013-02-06 05:45 pm (UTC)(no subject)
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Date: 2013-02-06 05:23 pm (UTC)I don't think it would even occur to me to pirate if I could get them legally because ebooks are so cheap (and Kindle has lots for free) that it's not worth the hoops to jump.
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Date: 2013-02-06 05:45 pm (UTC)(no subject)
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Date: 2013-02-06 05:25 pm (UTC)Why not just, y'know, say "I loved your book/song/movie" and not elaborate? Or lie, if they must, say that they got it from the library/borrowed it from a friend? Best of all, if you're in a situation where you KNOW you might meet a creator of stuff you like, why not scrimp and buy a legit copy of something so you can have something to get signed, sort of a cost of admission thing? Why the hell would ANYONE, even someone who thinks it's okay to pirate, ALSO think it's okay to walk up to someone and say "That thing I stole from you is great!"
Ideally, nobody would ever pirate stuff, but if they do, what the heck is wrong with a LITTLE polite shame and discretion?
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Date: 2013-02-06 05:46 pm (UTC)WHY DID YOU TELL ME?
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Date: 2013-02-06 05:27 pm (UTC)I love our fans (I was one!), and I love what we do... but the attitude of entitlement about it sometimes makes me want to chew through iron. Books always came from the library growing up, and these days they mostly still do (see above lack of income), but when I love a series, I buy those books.* New. Then I lend the first one to everyone I know. It's not about a need to own things, it's about a need to support what I love. That matters.
* Yours are on that list.
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Date: 2013-02-06 05:46 pm (UTC)(no subject)
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Date: 2013-02-06 05:28 pm (UTC)no subject
Date: 2013-02-06 05:48 pm (UTC)But if you're someone holding a huge fancy drink that I know costs five dollars because I go to Starbucks too, and you're telling me to my face that you pirate my books because budget, I don't really think "gosh, you must be so tired from your hard life, you need that caffeine," I think "gosh, you're going out of your way to see if you can make me cry."
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Date: 2013-02-06 05:33 pm (UTC)Now, if the publisher would offer an option of 'buy the hardcover and get a bundled download code for the ebook', I would jump on that. I would even pay a little extra for that. Kind of like the DVDs that come with a download code for the digital download of the movie for your portable device.
But when I've spent $30 for the hardcover, I do balk at at extra $15 for the ebook. I *want* the hardcover for my shelf, but I want that ebook for portability.
And then there's the side issue of pirated ebooks that are scans of books that have been out of print for decades with no sign of an ebook ever coming. Sure, I could hunt down the book through ebay or other sources of used books, but the author doesn't get money for that either.
BTW, there have been a few cases where I have bought both the ebook and the paper book, mainly when it's a new author I *really* want to support. Or the ebook goes on sale for a limited time.
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Date: 2013-02-06 05:49 pm (UTC)(no subject)
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Date: 2013-02-06 05:40 pm (UTC)OK, on the one hand, exposure. But, and it's a big one, my book is only 99 freakin' cents and I'll happily send a free copy to anyone who just asks politely. Also, you just don't EVER attach my work to gorram viruses and spam. That shit is unacceptable.
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Date: 2013-02-06 05:49 pm (UTC)Agreed.
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Date: 2013-02-06 05:55 pm (UTC)Yet there are options: libraries, buying second hand print versions and waiting for the digital price to come down (which it almost always does).
Not everyone has these options, but I wonder how many people really pirate because they've exhausted all others. The dominant motivations are free and/or not wanting to wait for an affordable legal copy.
Consider the angry Wheel of Time fans who claimed they'd resort to piracy because the digital release is after the print one.
I think entitlement is understandable, as e-capitalism has been sold on fast and cheap and the cost of tech and access is enough to make one resent additional charges for content. But justified entitlement is not necessarily social justice. It's also interesting the technology which makes piracy possible is also part of what make piracy necessary, i.e. reducing options like used and libraries and requiring high non-book costs before one can even start book shopping.
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Date: 2013-02-06 06:30 pm (UTC)Awww, the poor butthurt babies! [/sarcasm] They need to get over their profound sense of entitlement. They don't want to wait? Then they can buy the print copy, and download the digital copy when it's released. There, problem solved. They don't want to do it that way and only want to buy the digital copy? They can wait for the digital release, then.
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Date: 2013-02-06 06:18 pm (UTC)no subject
Date: 2013-02-06 10:39 pm (UTC)(no subject)
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Date: 2013-02-06 06:25 pm (UTC)Like you, money was so tight growing up I could rarely buy a book growing up. As an adult, my own personal collection is small because I'm still very frugal about what books I actually spend money on. Libraries keep me in reading material well enough I rarely have to purchase any of my own, so I usually purchase what I know I'll go back to again and again and useful research books. Textbooks collect dust on the lowest shelves. ;)
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Date: 2013-02-07 03:46 pm (UTC)(no subject)
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Date: 2013-02-06 06:55 pm (UTC)I know someone whose shelves are full of physical books he's never opened, for exactly this reason. He prefers reading digitally and doesn't want to support a DRM-infested model, so he buys the hard copy in the name of both supporting the author AND being able to lend the copies to other people. (And then he sometimes buys more copies to give as gifts. This past Christmas that included him buying the Newsflesh box set for two different people. ^_^ He also uses his own hard copies to supplement my lending copies when more than one of our friends is reading through the trilogy. It's very efficient!)
There are things I download, but it's along the lines of a comment you made to someone else: it's stuff I can't buy yet due to availability. When it becomes available, I'm glad to fork over the money for it.
May your cats feast well for years to come!
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Date: 2013-02-07 04:21 pm (UTC)(no subject)
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Date: 2013-02-06 07:17 pm (UTC)I try to make it a point to buy the e reader copies of short stories that were posted for free and I already read even (I bought the velveteen collection for instance and will buy sparrow hill rd as well) because i can andI want you to KEEP AMUSING ME. I don't have much discretionary money (thank you high cost of living plus student debt) but I feel good when I can support an author I like.
It's like kickstarter. Only not kickstarter. I pay money and in exchange a publisher knows someone will pay money for the continuing adventues of a goth lolli waheela. Makes sense to me.
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Date: 2013-02-07 04:21 pm (UTC)no subject
Date: 2013-02-06 07:33 pm (UTC)I would suggest adding "request my books at your local library" as a positive action that people can take (as well as making donations to their local library and of course buying your books). Libraries (especially those who lend e-books and audiobooks) are a wonderful legitimate way for people to compromise on piracy.
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Date: 2013-02-06 08:11 pm (UTC)It's taking them for free -- and not buying them when money becomes more available -- that's just... not on.
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Date: 2013-02-06 07:50 pm (UTC)Your books (and other authors whose work I particularly enjoy), I buy twice, once as ebooks and once as hardcopies, and generally "lend" hardcopies to friends who can't afford them, and not necessarily expect them to come home. (Not infrequently, I eventually buy audiobooks as well.) If I'm only going to buy it once, I buy it as an ebook. But a book I love, sometimes I'm going to want to curl up with a paper copy of, or someone else is, so they're nice to have.
There are some books that have never officially been published as ebooks, but somebody's scanned them in, and I can download a copy. Most of the ones like this I bother to go looking for are things I've loved for years, and have probably bought multiple hardcopies of (Trouble and Her Friends by Melissa Scott, Tam Lin by Pamela Dean, Chronicles of Amber, etc), because copies never come back, or get damaged, or fall apart because I've been reading them two or three times a year for ten years or more. And truly, if they ever get published as ebooks, I'll probably buy them again, because I love my favorite authors and want them to be able to feed their cats and kids and selves.
But I do share ebooks with my wife, across our devices, and sometimes with the friends who miss this hardcopy because I gave it to my mom instead, or whatever. My wife and I wouldn't buy separate copies of a hardcopy, and my friends wouldn't be able to afford the books at all (yes, in their thirties or more, no, not with Starbucks in hand; those friends can get their own), but will probably buy hardcopies when they eventually can, because they, too, love physical books. I don't upload them, and I don't share them with people who can afford them.
I dunno. I know quite a few authors personally at this point, and I would not want to cheat authors out of their money even if I didn't, but there's also, as you said, would this author be getting money for this book anyway? I try to strike a balance, ethically. Not saying I'd never, ever cross the line, but I do try to make a point not to.
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Date: 2013-02-07 04:22 pm (UTC)no subject
Date: 2013-02-06 07:59 pm (UTC)(On topic: had I not had a US friend who was willing to help out, I probably would have sighed, grabbed a torrent and then felt really bad until such time as I could afford to ship a physical copy over from the US*. For me, at least, finally having a stable income and a belated developing sense of budgeting (thus unlocking the Saving Up For Cool Stuff ability) has meant I've developed a strong personal dislike for piracy. But I also feel there are...not mitigating circumstances, but at least understandable justifications. If that makes sense.)
*$40+ shipping and customs charges push a simple $15 CD into "...Really? That's a week's worth of food".
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Date: 2013-02-07 04:23 pm (UTC)(no subject)
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