Fifty days. Here we go again.
Jul. 19th, 2010 09:08 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
So here we go again: as of today, we're fifty days away from the official North American release of An Artificial Night [Amazon]|[Mysterious Galaxy]. (Of course, if the first two books are anything to go by, we're actually about thirty-five days away from my hysterical meltdown in the Borders near my office.) If I had a nickel for every day remaining before the official release, I wouldn't have enough to buy myself a Diet Dr Pepper. Which would be sad. I'd rather have a quarter for every day remaining before the official release. Then I could buy lots of Diet Dr Pepper.
Rosemary and Rue [Amazon]|[Mysterious Galaxy] was my first book. A Local Habitation was my second. They taught me a lot about marketing, pre-release crazy, post-release crazy, going crazy from good reviews, going crazy from bad reviews, living by my own rules regarding engaging reviewers and trying to explain myself, hyperventilating when I see my book on shelves, and trying to look nonchalant when I really just want to be screaming "I WROTE A BOOK OH MY GOD YOU GUYS LOOK LOOK LOOK YOU CAN TRADE MONEY FOR GOODS AND SERVICES AND THE GOODS AND SERVICES ARE MY BOOK!!!" while jumping up and down and providing expository hand gestures. This whole process has been a learning experience, and while I'd like to claim that it has left me a calm and mature author, prepared for anything, the fact of the matter is this:
I am so totally going to cry the first time I see An Artificial Night on the bookshelf. And then I'm going to call Vixy and make shrieky bat-noises until she talks me down from my happy hysteria. Because that's just how we roll around here.
I leave for the San Diego International Comic Convention the day after tomorrow. I leave for Australia eleven days before the book officially hits shelves. And I'm Guest of Honor at Spocon next weekend. So clearly, my method for planning a book release mostly involves running myself ragged, falling down, and sleeping until it's all over. This apparently works for me, so who I am I to argue?
Fifty days. A year ago, I was worried that no one would like Toby, that she'd just disappear into the urban fantasy jungle and never be seen again. Now I'm worried about not letting people down, and whether they'll still like Toby now that she's been through a little more and grown a little bit and made up her mind about a few things.
Fifty days.
Wow.
Rosemary and Rue [Amazon]|[Mysterious Galaxy] was my first book. A Local Habitation was my second. They taught me a lot about marketing, pre-release crazy, post-release crazy, going crazy from good reviews, going crazy from bad reviews, living by my own rules regarding engaging reviewers and trying to explain myself, hyperventilating when I see my book on shelves, and trying to look nonchalant when I really just want to be screaming "I WROTE A BOOK OH MY GOD YOU GUYS LOOK LOOK LOOK YOU CAN TRADE MONEY FOR GOODS AND SERVICES AND THE GOODS AND SERVICES ARE MY BOOK!!!" while jumping up and down and providing expository hand gestures. This whole process has been a learning experience, and while I'd like to claim that it has left me a calm and mature author, prepared for anything, the fact of the matter is this:
I am so totally going to cry the first time I see An Artificial Night on the bookshelf. And then I'm going to call Vixy and make shrieky bat-noises until she talks me down from my happy hysteria. Because that's just how we roll around here.
I leave for the San Diego International Comic Convention the day after tomorrow. I leave for Australia eleven days before the book officially hits shelves. And I'm Guest of Honor at Spocon next weekend. So clearly, my method for planning a book release mostly involves running myself ragged, falling down, and sleeping until it's all over. This apparently works for me, so who I am I to argue?
Fifty days. A year ago, I was worried that no one would like Toby, that she'd just disappear into the urban fantasy jungle and never be seen again. Now I'm worried about not letting people down, and whether they'll still like Toby now that she's been through a little more and grown a little bit and made up her mind about a few things.
Fifty days.
Wow.